A Quote by Keanu Reeves
Sometimes, with the scale of a film, it's like when I walked on the sets of "The Matrix," especially in "Reloaded," there was the city square, or in "Revolutions" with some of the machine world, you're like, "Wow, this is a big playground," which is fun to watch. But the acting experience and the collaborating and creating the world, working on the piece, they're the same joys.
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The acting experience and the collaborating and creating the world, working on the piece, they're the same joys.
It's not like it's not fun to work on big studio pictures. It is. But I can't say that's more fun than working on some little indie for scale. Look at The Amateurs, that's probably the best time I ever had working on a film. With that group of guys, it ended up being an experience I'll never forget. I'll always have the fondest memory of that shoot.
There is always a price to pay for badassery. Neo was a badass in the Matrix and the Matrix Reloaded, but the price he had to pay was The Matrix Revolutions.
I like to imagine that the world is one big machine. You know, machines never have any extra parts. They have the exact number and type of parts they need. So I figure if the entire world is a big machine, I have to be here for some reason. And that means you have to be here for some reason, too.
There are things that are about the entire genre, so it's weird when you look on Wikipedia and people say, "The scene where Angel grabs his fist is from Superman II," and you're thinking, "Ummm, no it's not." Or, "There's a shot from Matrix Revolutions." I'm thinking, "I've only seen Matrix Revolutions once, and will never watch it ever again."
I realize that sometimes I get bothered when I see the world acting like the world. Did you hear what I said? The world is supposed to act like the world, and God tells us that every generation gets more wicked, so why the surprise? Maybe we have some word to swallow ourselves.
You're always learning as an actor... anything you do is a learning experience. It's the same whether you're doing film or TV, you have to do the part to the best of your ability, no matter how big or small the role. It's as simple as that, really. But every bit of work you do is a learning experience - which is the same, I guess, for people in whatever job they do. But with acting, it's also fun to be able to explore different characters and emotions.
I've done a lot of very low-budget indie films, so it was just really exciting and fun to be doing a film where there's a lot more time and these huge, vast sets. I was like a kid in a playground. It was amazing!
With 'Hail, Caesar!' it was about all the skill sets I had to learn, but each movie requires a different way of working. You're a piece in a new world, and there is always a difficult part within that world. For me, it's not consistent from movie-to-movie, each film has a central challenge.
'The Oath' seems like the perfect project for me, coming off the back of a big-scale adventure film like 'Everest.' I want to delve into an intimate, dark and psychological world where the characters are claustrophobic.
Liverpool is a massive club in reputation, but as soon as I came here, it felt like Atletico to me. It is a working city, an honest city. The people work all week, and on Saturday they want to go to Anfield and watch the best team in the world.
I like Dubai because of the sheer scale on which the city is built. It is completely futuristic but with a warm, old-world ethos.
I think about the automobile, I think about like, when I was a kid, you know, the invention of the answering machine, which I was like, 'Wow.' Or call waiting, which was, like, very big. It was a very big thing. Call waiting was a very big thing. And these incremental innovations happen constantly.
I'd imagine the whole world was one big machine. Machines never come with any extra parts, you know. They always come with the exact amount they need. So I figured, if the entire world was one big machine, I couldn't be an extra part. I had to be here for some reason.
Some things, I feel like no, I never could have the depth of experience of their own music and culture - but sometimes if I'm collaborating with somebody, they're interested in me bringing my own stuff into their thing, and sometimes that works.
Sometimes I criticize movies. It's not fun to watch a movie with me, because I'll go, "That was a really bad shot." My mom's like, "Shut up, Chloe, watch the film!"
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