A Quote by Keanu Reeves
'Speed' and 'Point Break' were a lot of running and jumping, and then 'The Matrix Trilogy' had a lot of fights and wire work and green screen elements.
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I spent a lot of time with both [Laurence Fishburn and Keanu Reeves], obviously, on the Matrix trilogy. Worked a lot, on a day-to-day level, with Laurence Fishburne. And then we'd bumped into each other through the film community for years and years.
When we have a lot of the running, which we do on green screen, that is actually the hardest... I swear I have, like, four separate scenes in a row running, and I'd only done one at a time before.
I mean I think people prepared me for like a lot of green screen [in Oz the Great]. I didn't have a lot of green screen. They build most sets. When this castle was tangible, Emerald City was tangible, the forest, the woods was tangible, the cemetery, everything was there.
If we're just going to have contenders fighting just to fight, that doesn't make a whole lot of sense. Then I might as well just start jumping around divisions too because there's a lot of fun fights for myself in other divisions that I think I would love to entertain.
I work a lot with a green screen, which is really time consuming. All the special effects are.
One-day cricket is a lot more draining because it's a lot faster. You don't get as much break. You are running a lot harder.
Acting with a green screen has been physically challenging. I look at the green screen and then I'll look somewhere else and everything looks red. It's a bizarre thing where green has an effect on my vision, but it's fun.
Even though running is work for me, I always miss it if I take a break. A lot of people find running relaxing, but I can never switch off from timing and competing against myself.
Something like 'The Matrix' would be ideal, something where it's super agents and wire work and special effects - not necessarily running from bombs and shooting people. Something more sleek, like an assassin.
I had a lot of success in big tournaments as well - won Masters Series in Rome - so a lot of things are coming together. I've done a lot of hard work in the off-season. A lot of physical work, a lot of work on my serve and on my return game.
I've only ever played 'God of War' while we were shooting it. I've seen a lot of the videos, but while we were shooting 'God of War,' they had a green room for the actors to hang out in, and they always had the newest game on the big screen. So we'd sit there playing 'God of War' to get us into the mood.
That became my aesthetic - a very Chekhovian, American realist aesthetic in the tradition of Raymond Carver, Richard Ford, and Tobias Wolff. The perfectible, realist story that had these somewhat articulate characters, a lot of silence, a lot of obscured suffering, a lot of manliness, a lot of drinking, a lot of divorces. As my writing went on, I shed a lot of those elements.
I think we've broken a lot of barriers and kind of shattered our "glass ceiling" that was there for women. There are so many great fighters and we've proved a lot of people wrong. A lot of the times our fights are the best fights on the card.
I think we've broken a lot of barriers and kind of shattered our glass ceiling that was there for women. There are so many great fighters, and we've proved a lot of people wrong. A lot of the times, our fights are the best fights on the card.
I had been in a Shakespeare company for three years and done a lot of Shakespeare. That was fun. That was interesting. It was a lot of work - anything other than Shakespeare was less work. I had a lot of interesting roles, but I don't point to them and say, "That was more interesting than that," because I don't know what the criteria are.
I've never been able to write for myself. I was doing a lot. I produced The Green, I wrote it - I didn't see myself in the world of this film. I'm sure there are elements of dark corners of my psyche that found their ways on screen; you didn't need my mug up there. There was enough of my essence in the story as it plays out without me acting in it.
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