A Quote by Keegan Bradley
It's such an advantage to be able to hit short irons low on command. When it's windy, you'll hit more greens. But low shots are a great strategy in calm conditions, too: The less time the ball hangs in the air, the less time it has to stray off line from the flagstick.
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Some players like to change clubs around the green to hit high or low shots. I play all of my short-game shots with my 54-degree sand wedge and change my ball position to hit it higher or lower. I think it's easier to learn one club than four.
I think Augusta will be a really good course for me because I hit the ball very high, and I'll be able to hit some shorter irons into those firm and fast greens, so having maximum spin won't hurt.
I build confidence when I practice a variety of shots - hitting it high or low, working the ball. A lot of golfers go to the range and just hit full shots. That doesn't build on-course confidence, because you won't always hit full shots out there. My confidence is built on knowing I can effectively work the ball in any circumstance.
It is a different world, the underground. When you hit mainstream, you hit a saturation level and that turns some people off. When you are on more low-key stuff, it works to your advantage and it creates a buzz on the streets. At that point, the sky is the limit.
When your hands are cold, and you're hitting with old, low-quality irons - my first one was a Merlin model with a green shaft - you learn what to do to hit the ball solid.
I believe more in precision, when you have the capability, like when you see a mosquito fly and you're able to hit it, you're able to hit it with a couple of short sharp shots... it's a beautiful thing.
You don't have to hit perfect shots all the time here. The variety of shots you get to play, the shots you sometimes have to hit along the ground, it's just a lot of fun to me.
The fun part of golf is the variety of shots. In football you can do anything with a ball, but you can do anything with a golf ball as well. When you hit a shot and the ball does exactly what you want it to do ... that's wonderful. It's just great when you hit the ball well. You should always try not to make the ball cry.
Golf is the crack of sports. If you hit five good shots, you know you can hit six good shots. The next time you hit six good shots, you know you can hit seven.
One time he (Cool Papa Bell) hit a line drive right past my ear. I turned around and saw the ball hit his ass sliding into second.
In baseball, you can do something poorly and still get credit. A pitcher could throw a bad ball, the batter hit a screaming line drive, and an outfielder make a fantastic diving catch. Yet, when you look at historical databases, 80% of the time when a ball is struck with that trajectory and velocity, it is a hit.
When you get hit that's when you've got to be calm. A professional fighter has to learn how to hit and not get hit, and at the same time be exciting. That's what professional boxing is about. You've got to be clever, you've got to be smart, and not get hit, and when you're able to do this, you're a fighter.
I always loved hitting a low fade to a back-right pin with the wind howling from the right. Not many guys could get it close in that situation, because they kept it low by just putting the ball back in their stance. You see, playing the ball back turns you into a one-trick pony - you can only hit hooks.
When I faced the likes of Shoaib Akhtar and Brett Lee for the first time, I had a little bit of fear in my mind. My thoughts were, 'Would I be able to face them? Would I be able to play them? Would I be able to hit boundaries?' There were so many questions and fear, also, that if the ball didn't hit my bat, it might hit me on the body.
Chemistry is really about two people who like to act together, I think. It's like tennis in the most cliched way. It's like if you hit the ball, they hit the ball back, and they don't hit it into the stands, and they don't put the ball in their pocket and walk off - and they don't argue with the umpire, you know?
There's something grueling but very appealing about rough, to-the-bone material in a low budget context. There's less between you and the material. There are less people. There is less time. There's often less technology. You have to concentrate very intensely, and you jump in a little deeper because there's nothing in your way... but there are challenges.
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