A Quote by Keegan-Michael Key

Bill Murray is such a tremendous talent, but the world wasn't ready for 'Razor's Edge,' for something that thoughtful and with that much depth at that time in his career. — © Keegan-Michael Key
Bill Murray is such a tremendous talent, but the world wasn't ready for 'Razor's Edge,' for something that thoughtful and with that much depth at that time in his career.
I don't know if you hear this often but I would say The Razor's Edge (loosely based on a great W. Somerset Maugham novel). This was Bill Murray's first dramatic role so everyone thought he stunk in this deep character but I thought he and the movie were great. The movie takes place over decades so you see Murray's character go from goofy playboy all the way to wiser, older person. It's basically a movie version of the journey I described.
You know what the truth is? You don't find Bill Murray. Bill Murray finds you.
I think: 'Wouldn't it be great to work with Bill Murray?' And then I'm like, 'You know what, just appreciate Bill Murray from afar, don't find out that maybe he's not the dude you want to work with.'
I love Bill Murray, but I'm not quite Bill Murray. I wish!
Chevy Chase and Bill Murray - we thought those guys were funny. We love Bill Murray, but we didn't think they were right for Airplane! because it would step on the joke if there was a known comedian.
I'd love to become like Bill Murray, who was so funny on 'Saturday Night Live' and has gone on to do some of the landmark comedies people like. And then to add this whole other phase to his career with 'Lost in Translation' and 'Rushmore.' I always felt to be able to have something similar to that would be great.
I've been doing a pale imitation of Bill Murray for most of my career.
I watched a snail crawl along the edge of a straight razor. That's my dream. That's my nightmare. Crawling, slithering, along the edge of a straight razor and surviving.
I can't stand toe-to-toe with Bill Murray. It's very hard, because just looking at Bill - he's 6'3", and he just stares at you, and you have no idea what's going on inside that mind of his.
There's something very edgy about Bill Murray out there improvising.
Life consists of sadness too. And sadness is also beautiful; it has its own depth, its own delicacy, its own deliciousness, its own taste. A man is poorer if he has not known sadness; he is impoverished, very much impoverished. His laughter will be shallow, his laughter will not have depth, because depth comes only through sadness. A man who knows sadness, if he laughs, his laughter will have depth. His laughter will have something of his sadness too, his laughter will be more colorful.
["Where the Buffalo Roam" is] horrible pile of crap. [Bill] Murray did a good job. But it was a bad script. You can't beat a bad script. It was just a horrible movie. A cartoon. But Bill Murray did a good job. We actually wrote and shot several different endings and beginnings and they all got cut out in the end. It was disappointing.
Every good thing in the world stands on the razor-edge of danger.
Love: a single word, a wispy thing, a word no bigger or longer than an edge. That's what it is: an edge; a razor. It draws up through the center of your life, cutting everything in two. Before and after. The rest of the world falls away on either side.
Elections, in India, are 'over to the people' time. And it is probably the one time in their lives when politicians, and political parties, of all hues walk the razor edge of panic.
Bill Monroe is not singing about life in America. He's singing about life in Kentucky and Tennessee. And yet it's had this tremendous impact, not just in America but in the world. Why is Bill Monroe's hyper-regional music so universal? We can be so different and yet still share a tremendous amount.
This site uses cookies to ensure you get the best experience. More info...
Got it!