A Quote by Keerthy Suresh

Going to a theatre and watching yourself on the big screen is a nightmare. — © Keerthy Suresh
Going to a theatre and watching yourself on the big screen is a nightmare.
To me, one of the big fears of doing a big huge graphic novel is locking yourself into one style and getting halfway through it and going, 'Oh I made the wrong choice,' which is a recurring nightmare I have.
I always knew I'd be an actor. I always knew I'd at least be on a big screen somewhere. Everyone else I was watching, they were cool, but I thought that I could bring something fresh and new, even when I was really young. I didn't really know how it was going to pan out, for sure, but I always knew that one day I would be on the big screen. I had no doubts in my mind.
The premise that we're working with is that when most people go to a show, they're not really watching what's going on onstage. They may be watching what's on the screen. But when the songs are playing in their mind's eye, they're actually watching a movie.
Everything about filmmaking is incredibly weird, and there's nothing natural about watching yourself on the big screen or hearing your voice. It's that same thing that you feel when you watch yourself on a video camera and you hate the sound of your voice - it's that times 800.
If I hear that a film of mine is going to be shown on a big screen somewhere and I haven't seen it in a while, I make a point to get to see it. I just want to see it up on the big screen.
The only thing I can say is that people requested,when The Exorcist it going to be on the big screen? People want it on the big screen and they want to see the footage. I think it's going to do very well. I think it will please people, and the fact that they added the new sound.
Cinema might have it's share of ups and downs, it can't go. It is a very major part of everybody's life. It is a process like going to cinema halls, watching films on the big screen.
Whenever I get a good script, I don't care whether it's telly or theatre or big screen - I'm not bothered.
Part of the allure of watching characters on-screen is to be able to put yourself in his or her shoes or to be able to relate to what he or she is going through or what he or she is thinking.
What draws me to the theatre, and what appealed to me about Too Much Light, is that you have no idea what's going to happen. That's the most exciting part of theatre, it's never the same. If it were, it would be like watching a movie.
There's nothing like watching hand-drawn animation on the big screen.
Most of my work is okay to look at on a TV screen or a flat screen, but this is actually much better in a theatre.
There is a difference. You watch television, you don't witness it. But, while watching television, if you start witnessing yourself watching television, then there are two processes going on: you are watching television, and something within you is witnessing the process of watching television. Witnessing is deeper, far deeper. It is not equivalent to watching. Watching is superficial. So remember that meditation is witnessing.
While in college, we used to go for art exhibitions, theatre shows and music concerts. I have spent a lot of time around Mandi House. At that time, Bharangam Theatre Fest used to be a big thing, and it was a total delight watching plays and performing at the fest.
I remember watching David Beckham scoring that free-kick at Old Trafford to take England to a World Cup. Things like that stick with you. I was at Southsea, waiting to board a hovercraft for the Isle of Wight. We ended up missing it because we were more interested in watching the big screen.
I would do theatre till I die. Theatre keeps your honesty alive. You can't pollute yourself. You learn a lot, and you use theatre techniques in life.
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