A Quote by Kehinde Wiley
I have a really strong suspicion of the romantic nature of portraiture, the idea that you're telling some essential truth about the interior lives of your subject.
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You start with a generic body, but I think the first wall you hit with portraiture is comprised of history and storytelling and the nature of characters - whether they are historical or coming from literature or documentation. Those are the references we have to people, besides your family, and the intimacy of portraiture is in the specifics of individuals. For me, it came out of doing things about animals.
The thing about photography is, some people surround themselves with extremely strong subject matter. And unless you're a moron, you're going to get a really strong photograph.
Sometimes I don't tell the truth, which is telling the truth about not telling the truth. I think people don't tell the truth when they're afraid that something bad's going to happen if they tell the truth. I say things all the time that I could really get into trouble for, but they kind of blow over.
People who are deceptive themselves have a really good ear for deception. They know when somebody's telling the truth or not, and so one of the ways around that is to always be telling the truth - or some version of it.
I feel the weight of just telling the truth. There really is no weight to telling the truth. It's a little scary sometimes, but if you tell the truth, you don't have to be looking over your shoulder.
I love the idea of carrying on some kind of tradition using some of the artifacts from people that touched my life. They're a continuum, too. I still use my father's tools and some of my grandfather's tools. There's a very romantic streak in me. I confess, I'm a romantic, but I like the idea.
The truth is, pro wrestling is such an incredibly vast, incredibly surreal world. There's no telling how many words could be written about the subject - especially when the subject involves WWE.
For us, mind has nature for its premise, being nature's truth and for that reason its absolute prius. In this truth nature has vanished, and mind has resulted as the idea arrived at being-for-itself, the object of which, as well as the subject, is the concept. This identity is absolute negativity, for whereas in nature the concept has its perfect external objectivity, this its alienation has been superseded, and in this alienation the concept has become identical with itself. But it is this identity therefore, only in being a return out of nature.
Start telling the truth now and never stop. Begin by telling the truth to yourself about yourself. Then tell the truth to yourself about someone else. Then tell the truth about yourself to another. Then tell the truth about another to that other. Finally, tell the truth to everyone about everything. These are the Five Levels Of Truth Telling. This is the five-fold path to freedom.
The whole point of interior design is about creating environments where people can really live their lives and where you can connect with your friends and family.
The whole Melrose series is an attempt to tell the truth, and is based on the idea that there is some salutary or liberating power in telling the truth.
The whole 'Melrose' series is an attempt to tell the truth, and is based on the idea that there is some salutary or liberating power in telling the truth.
For me, exploration is about that journey to the interior, into your own heart. I'm always wondering, how will I act at my moment of truth? Will I rise up and do what's right, even if every fiber of my being is telling me otherwise?
I wanted to be a poet. I had a really romantic idea about what that would mean. My parents knew some poets, and I liked how they dressed and acted, but I didn't really acknowledge that I only liked reading some bits of poetry while I was peeing or something.
Every vivid memory holds some essential truth about your vision of the world
The idea is that Jodie Foster is with her child and she's going back to New York from Germany with her husband's body. She loses her child on a plane, and you think, 'How can that happen?' There's no record of her having brought a child onto the plane, and the captain is left wondering about whether she's telling the truth. You never really know if she's telling the truth or not.
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