A Quote by Kehinde Wiley
The backgrounds by design are a very key part of the conversation, because I want a kind of fight or pressure to exist between the figure and the background.
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My time as an MP has made me more aware of the power dynamics that exist in society: between men and women, between people of different backgrounds and ethnicities, between those in positions of power and those with very little of it.
We fight to exist. Personally, I am not ashamed of fighting to exist. We are doing no very extraordinary thing to fight simply because we do not wish to be enslaved or exterminated.
I don't think that you necessarily need a certain type of background to take on roles. You see actors from very, very privileged backgrounds playing working class characters and vice-versa. I don't think your background limits you as to what you can do.
So you have to force yourself out of a comfort zone and really try to figure out what are the key ingredients, the key skill sets, the key perspectives that are necessary, and then figure out a way to attract the very best people to fill those particular roles.
The pressure is always very high. I am the client, and when I am the client, I need to fight with the photographer or with the stylists or with all the people that are on the set, because I am the only one who has a very specific vision. I always have the pressure, either from myself or from the company. I am a control freak. It's part of my culture. I know that I am still working to build a Frida moment at Gucci.
Danny Williams broke my dream. Iron Mike, for me, was the dream. For many years, I would see Tyson and say, 'Mike, I want to fight you.' He was on his way back, and we were making conversation about a fight between me and him. So I was very surprised and disappointed when he lost.
Music is a conversation between people and their community, you know, people and - and deejaying, it is a way of amplifying that conversation and kind of putting that conversation on blast in a way. But at a very basic level, it's records talking to records.
I did my part. I signed it for UFC 205 in New York. I signed my part, and Julianna turned it down. She didn't want to fight that time, but I don't care about this because I am a fighter, and if she don't want fight, we was looking for another opponent to make fight.
The key is to design great golf courses all around the world. But my plan is only to do a select few. I devote so much of my time to these. I'm kind of a hands-on kind of person. I always want to do the best that I can in all of my life and this is no different.
So much of my work is defined by the difference between the figure in the foreground and the background. Very early in my career, I asked myself, "What is that difference?" I started looking at the way that a figure in the foreground works in eighteenth- and nineteenth-century European paintings and saw how much has to do with what the figure owns or possesses. I wanted to break away from that sense in which there's the house, the wife, and the cattle, all depicted in equal measure behind the sitter.
Life, by which I mean my life, is a great, or probably the greatest, design, from its very beginning to its end, the end that, I think, is unlikely to exist. Each and every bit of life is a part of the design. Design exists as the consequence of the ultimate questioner's vanity. And my mission is to find the most fundamental truth, which probably and exclusively involves the nature of the existence of the ultimate questioner.
I've learned that the key is to fight with no pressure.
I got off Twitter, because I started feeling like it was not adding anything positive into my life. If anything, it was more negative. But now I'm back on it because it can be fun. I think, as an actor and a public figure, it's a different experience when you put yourself out there in that way. I think it can be a great tool, and that part I'm comfortable with. But the part that's kind of more personal, that part I'm still struggling with, because I don't really want people to know everything about me.
There's pressure every night to be the best on the court. I put a lot of pressure on myself. Pressure is part of the game. It is also part of life. I want to prove I can do the work and be a success off the court as well as on it.
I have to be very careful, however, because I have no intention of providing an excuse for this behavior. It's an attempt to explain how so many women come from backgrounds where the pressure to be a good mother is so severe that if they can't do it, something really snaps.
I have a very strong distinction between work and my life. They are not the same and I don't want to ever feel that on a day to day basis that I have to live up to people's expectations, because you never can do that so I don't want to put that pressure on myself.
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