A Quote by Kehinde Wiley
That's the trouble with, I think, my - the contemporary read of my work. So many people just simply say, "These are pretty pictures of black boys." They're not really thinking about, like, what the whole thing is.
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Katherine Johnson never complained, it just was what it was. She just said, "I just wanted to go to work and do my numbers." And she stopped right there. I think about that as a Black woman in Hollywood when I'm asked about diversity. I hate when people say diversity because the first thing you jump to is Black and white. When you talk about diversity, you're talking about women being hired in front of and behind the camera. You are talking about people with disabilities, the LGBTQ community...so I hate when people think about diversity.
So many interviews, even ones that I consider really intelligent and good writers, will do the, like, 'Oh, you're not taking your clothes off like Miley Cyrus and all these girls' thing, which to me is just the weirdest thing to say to someone. ... Now when people are like, 'Tell me what you think of Miley!' I'll say, 'What do you think of Miley?' and they'll flounder and say, 'Well, I think she's really talented...' and I'm like, there you go.
The way we have been thinking about brain science is that people show you pretty pictures, pretty images, and you think that that tells you something about how they behave. It doesn't.
Many times, I get young people asking, 'What do you think about black movies?' And I say, 'What are you talking about? You mean Hollywood movies that have black people in them?' It's gone back to that, and that's not the same thing as a black movie.
I'm always thinking about what a black lady would think about what I'm doing, just because I feel like they have such great taste, mostly because as black women, we've spent a lot of time downloading what a white male narrative is, so in my head, I'm like, 'If a black woman likes it, if she responds to it, then it's probably pretty damn great.'
Sacrifice doesn't really exist on a national level anymore and that's a pretty new thing - most people aren't engaged nationally in some form of service and that changes the way you think about people in your country; you kind of think of them at a distance. And so there's that shift away from some sort of sacrifice - thinking of yourself as the most important thing in the world versus thinking of yourself as some sort of a whole.
Look, I get it. Whether it's school, work, family, we've all got a lot on our minds. People say to me, "I'm just too busy to think about politics." But here's the thing: You may not be thinking about politics, but politics is thinking about you.
I try to look at the whole thing and say 'yes' to the projects that I cannot stop thinking about. If I read a script and the subject stays with me - then that's when I want to go to work.
Being so pathetic, I don't read. I just ... do things - writing out interviews you can't read, on pictures of footprints and things like that. I kind of like the idea of nailing the thing down and not really showing too much about it. There's just so much you can take for collage nowadays.
For me what photographers say about their photos doesn’t have any importance. For me it is just enough to look at the pictures. Many times - for the boring pictures - people have to say so many things about them to show you there is something to them when many times there is nothing.
The Wizard Of Oz" has secrets that are just too much. Or "Peter Pan" – the whole 'lost boys' thing is just incredible. They’re not childlike at all, they’re really, really deep; you can rule your life by them. Or say 'child-like', because children are the most brilliant people of all, that’s why they relate to those stories so well. Fairy-tales are wonderful.
My entire career is contemporary based, not by choice, but just by character. So, all the movies I've done, except for one in 40 years, are contemporary. But I never did an effects movie. So, I'm also a producer and I was really curious about how this whole thing went together.
I never need to find time to read. When people say to me, ‘Oh, yeah, I love reading. I would love to read, but I just don’t have time,’ I’m thinking, ‘How can you not have time?’ I read when I’m drying my hair. I read in the bath. I read when I’m sitting in the bathroom. Pretty much anywhere I can do the job one-handed, I read.
The only thing I really feel is necessary is that the black people, not only in Mississippi, will have to actually upset this applecart. What I mean by that is, so many things are under the cover that will have to be swept out and shown to this whole world, not just to America. This thing they say of "the land of the free and the home of the brave" is all on paper.
For me, Twitter works best as a way of taking pictures of being stuck in traffic on the Brooklyn Bridge. If people really want to read really funny quips about life, parenting, and pop culture, then by all means read Michael Ian Black's tweets.
Honestly, I don't really read about myself. I look at the pictures sometimes. Sometimes I'm looking at them, and I'm thinking, 'They could choose some better ones.' But I don't spend time reading about myself because I know what I'm up to. I prefer to read about other people.
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