A Quote by Kehinde Wiley

At the same time I really enjoy painting flesh. — © Kehinde Wiley
At the same time I really enjoy painting flesh.
I think every painting should be the same size and the same color so they're all interchangeable and nobody thinks they have a better painting or a worse painting.... Besides even when the subject is different, people want the same painting.
You're like a witness. You're the one who goes to the museum and looks at the paintings. I mean the paintings are there and you're in the museum too, near and far away at the same time. I'm a painting. Rocamadour is a painting. Etienne is a painting, this room is a painting. You think that you're in the room but you're not. You're looking at the room, you're not in the room.
I trained as a painter, and I still love painting, but eventually I became aware that the physical aspect of painting didn't really suit me. I didn't enjoy working in the medium. It's very messy. I prefer to have it clean, with a nice computer.
The stressful time is the blank page at the beginning. When you're starting to see things being made flesh, and you're able to respond to that flesh, that's really exciting.
There's a difference between craft and painting. Craft, your job is to make it exactly the same every time. Painting is the opposite, but in painting there is some craftsmanship, which is called technique. But technique is spontaneous. That's the treasure, the most important part. You are in it.
I really enjoy what I'm doing, I really enjoy my weekends watching football. I watch the kids play football and the Saturday before last I was at four games. Then I ended up watching La Liga on telly. On the Sunday I'm the same and I really enjoy it.
Writing plays supplied for me everything that painting didn't, which is the ability to tell stories in real time, in a real space, in three dimensions, in flesh and blood. I realized I had been trying to cram all this narrative into my paintings, but ultimately painting was a static medium. So it just opened up this whole new door.
When it comes to partnership, some humans can make their lives alone - it's possible. But creatively, it's more like painting: you can't just use the same colours in every painting. It's just not an option. You can't take the same photograph every time and live with art forms with no differences.
I enjoy painting, cutting the lawn and working in the garden when I have time. That's therapy for me. I enjoy working with my hands.
Working with franchises can be challenging, but at the same time I really did enjoy working on 'Star Wars,' for example, and I have done a lot of 'Dungeons & Dragons' games, but I still enjoy it very much.
We are passionate about making it so that users enjoy the music that they want to enjoy but at the same time fairly compensates artists. That's not the same as saving the music industry.
I like to think that people who really know me understand I am the same person - and that is something I will always fight to maintain. Obviously the money is there, but I want to stay the same. At the same time, I want my son to enjoy what I didn't have. My father-in-law often looks at all the toys and games Benjamin has.
I like to think that people who really know me understand I am the same person - and that is something I will always fight to maintain. Obviously the money is there, but I want to stay the same. At the same time I want my son to enjoy what I didn't have. My father-in-law often looks at all the toys and games Benjamín has.
There is room and time for multiple tracks to flesh out in the web space. I enjoy this format.
Technically, a makeup artist's canvas is the face and body. The difference is that my painting of makeup is integrated into the painting of the flesh and not on top of it. I think in some ways it is more difficult to expressively deploy makeup.
The flesh is what traps us, because no one has ever chosen his or her body to live in, has he? It's the flesh that makes us sick, that makes us old and that eventually ends up killing us. But at the same time, it's that glorious flesh that enables us to scratch heaven through sensuality, through passion. Paradoxically, the flesh that kills us will also make us feel eternal for a brief moment because that's what we are in passion, eternal - we abandon ourselves, we give ourselves to the other, so much that when we are loving passionately, death doesn't exist.
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