A Quote by Kehinde Wiley

I think one of the things that I took from Mel [Bochner] specifically was his ability to look at oneself and one's relationship to the history of art and the practice of art at arm's length, the ability to sort of clinically and coldly remove oneself from the picture and to see it simply as a set of rules, habits, systems, moving parts.
Mel [Bochner] sets a very high standard. He expects only the best and most thoughtful and rigorous examinations, not only of the history of art but your own practice.
One of my most strong memories was studying with Mel Bochner, one of the, I think, high water marks of American conceptual art.
The worth of a human being lies in the ability to extend oneself, to go outside oneself, to exist in and for other people.
I don't know why we, in the art world, cannot unpack things and sort of make hybrid notions of a practice. We're very rigid. It's funny, though; in music, we have no problem sampling, mixing and remixing. But in the art world, why can't we take little parts of history and mix it together?
I love movies; I grew up loving movies. I've always loved movies. I never thought about making movies until I took art classes and then I started studying different artists. As you study paintings, you see light and shadow, of course - Rembrandt, Eugène Delacroix. You start to understand the relationship between people and art, and images. For me, between movies that I watched and art, it was like, I'd love to make moving art. Moving pictures.
To be oneself, simply oneself, is so amazing and utterly unique an experience that it's hard to convince oneself so singular a thing happens to everybody.
One's art is just one's effort to wed oneself to the universe, to unify oneself through union.
The three parts of the theory are analytical ability, the ability to analyze things to judge, to criticize. Creative, the ability to create, to invent and discover and practical, the ability to apply and use what you know.
The two most important forms of intelligence are the ability to read other people and the ability to understand oneself.
What I'm most fascinated by is the ability of art to induce changes, but remain grounded solidly in its art practice.
Some people don't think that what I do is art - but for me art exists by definition. The beautiful and most liberating thing about being an artist is the ability to say that what I make is art. Art exists because the author says so.
At our house, my father loved the arts. Among his favorite things was 'The Metropolitan Museum of Art Album of Miniatures' - a box set of small books on different art periods. I'd go into the living room at night and sit on the arm of his chair as he studied the images.
The writing life requires courage, patience, persistence, empathy, openness, and the ability to deal with rejection. It requires the willingness to be alone with oneself. To be gentle with oneself. To look at the world without blinders on. To observe and withstand what one sees. To be disciplined, and at the same time, take risks. To be willing to fail - not just once, but again and again, over the course of a lifetime.
Studying the Buddha way is studying oneself. Studying oneself is forgetting oneself. Forgetting oneself is being enlightened by all things. Being enlightened by all things is to shed the body-mind of oneself, and those of others. No trace of enlightenment remains, and this traceless enlightenment continues endlessly.
This ability to conquer oneself is no doubt the most precious of all things sports bestows.
So often loneliness comes from being out of touch with parts of oneself. We go searching for those parts in other people, but there's a difference between feeling separate from others and separate from oneself.
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