A Quote by Kehinde Wiley

I grew up in South Central Los Angeles, where people are in cars. — © Kehinde Wiley
I grew up in South Central Los Angeles, where people are in cars.
I'm not actually from Compton - I'm from South Central Los Angeles, and my father still lives in the same house I grew up in, so I'm there all the time.
I grew up in South Central Los Angeles in the '80s, back when it just wasn't a cool scene. But my mother had the foresight to look for a number of projects that would keep us away from the streets.
If you grow up in the South Bronx today or in south-central Los Angeles or Pittsburgh or Philadelphia, you quickly come to understand that you have been set apart and that there's no will in this society to bring you back into the mainstream.
There is no pedestrian culture [in South Central Los Angeles].
I started in dance classes when I was, like, seven years old. And the arts in general, it kept me not only off the street, I grew up in South Central Los Angeles, so it kept my mind focused. It kept me passionate about something. So I wasn't easily distracted.
'Cars' is a really personal story for me because, first of all, I grew up in Los Angeles - the car crazy capital.
I don't live in Los Angeles. I work in Los Angeles, and even that - I audition in Los Angeles; I very rarely film in Los Angeles. I don't hang out with producers on my off-hours, so I don't even know what that world is like.
I was in Los Angeles. I saw the biggest ships you have ever seen with cars pouring off from Japan, into Los Angeles. Just pouring off these ships, and I am saying to myself, we send them beef, it's a tiny fraction, and, by the way, they don't even want it, they have to fight in order to take it in because they don't even want it, and it's very perishable, they'll send it back, they'll find reasons not to take it. And yet the ships, the boats, the ships are loaded up with cars, thousands of cars and they are just pouring off.
When I was coming up as a kid, there were programs that kept me out of trouble and on the straight and narrow in South Central Los Angeles, and I always felt that when I got to a stage where I could provide similar opportunities to kids then I would do that.
South Central Los Angeles [is the] home of the drive-thru and the drive-by. Funny thing is, the drive-thrus are killing more people than the drive-bys.
Dr. King said, 'We are all tied together in a garment of mutual destiny.' Which says to me no matter how well I may be doing in Hollywood, if a young brother or sister in Louisiana, the South Bronx, the South Side of Chicago, South Central Los Angeles - is not doing well, then I'm not doing very well.
The Board of Inquiry report fails to recognize that the central problem in the Los Angeles Police Department is the culture. The reality is there will not be meaningful reform in the Los Angeles Police Department until the culture is changed.
I grew up with such mixed feelings about LA, but I do love it. I grew up lectured by Woody Allen, for example, that LA was absurd, worthy of ridicule and contempt. Most people seem to describe Los Angeles as elementally despicable, or as someplace that requires an apology.
In the neighborhood where my studio is, in South Central Los Angeles, there are a lot of immigrant-owned businesses. I'm constantly amazed at the level of work they do. It's above anything. For me, I think I pattern myself on that work ethic.
I stumbled upon Charles White purely by chance while looking through a book 'Great Negroes, Past and Present' in the library at Forty-Ninth Street Elementary School in South-Central Los Angeles. I was in the fifth grade.
I think Los Angeles certainly grew out and grew up, but I don't think it matured. It lost the appeal and the hunger and the beauty of its adolescence and went straight to a middle-aged ugly, overfed monster seeking mindless pleasure and being obsessively acquisitive. It's so materialistic. It grew up, but it didn't mature.
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