A Quote by Kehinde Wiley

Like, the smells and the sights and the sounds. As an artist, you want to sort of be able to engage that and get that down in some way. This is - this is a type of familiarity but a type of radical difference at the same time.
I was lucky enough to be a "type." Sort of a bad-guy type at the time, because I was tall and I had dark eyes. A lot of times, you don't have to be good; you just have to be the right type.
As silly as it sounds, I want to do some sort of superhero type of role. That's always been something I'm interested in.
We're headed for what is called Type 1 Civilization, planetary civilization. Type 2 would be stellar civilization, like Star Trek. Type 3 Civilization would be galactic, like Star Wars. We are Type 0. We get our energy from dead plants, oil and coal. But the question is: Will we make it? Will we make the transition from Type 0 to Type 1? It's not clear.
I'm a Type A person who doesn't want to get stuck in any one type of workout. I need a variety of things to stay interested, and that way, you make sure you get the most out of yourself.
I didn't know then that I would never be able to leave the sounds and smells of these sights behind me, but I was fiercely conscious of one thing-my ambition.
I was just, like, not at all the office type; I was the artist type.
Baseball is my escape. The sights, the sounds, the way the park smells. There is truly no place I would rather be than at a game.
I've got to say that I don't see myself as some sort of political type like Alec Baldwin or Barbra Streisand. I don't want to come across like that. I'd be embarrassed if that was the way I came across.
The work saved me. I clung to it like flotsam in a boiling sea. It was the only solitary sport that I ever played, or was any good at. It felt natural to sit at my computer and type and type some more. For entire minutes, while writing, I could forget the godawful thing that had happened. I could forget that nothing really mattered anymore. Perhaps, if I set my sights low, I could care again about some small thing. I would type a word. One word. Then another. I started to care about the words, then entire sentences.
For me, style is something that I've always loved. It's more than just, "Oh I make this type of music, so I should dress this type of way." But it's very important. On the other hand, if I was on stage in a hoodie and some baggy jeans, it wouldn't give off the same feeling. People appreciate the music, but people want to see the whole visual thing.
I am inspired just by the way a scene can be interpreted by the actors. It can make a huge difference on the type of music that you write. It's best for me if I don't work at all on a project until the movie is shot and I have some sort of edit in front of me.
I hear a lot of people saying my stuff sounds the same. When you're in my position, people come to you to give them the same sound in a different type of way.
I've been the type to just get up and go or I'm finding something to do, I'm on some type of grind every single day.
From the beginning, I always felt artistically inclined. I always knew I wanted to be an artist of some sort, even if I didn't know what an artist was. I clung to the arts. I always watched 'High School Musical' and those type of things.
I literally went in and auditioned and got the part of "sounds like J.K. Simmons." I've heard people say a "J.K. Simmons type, but younger" or "J.K. Simmons, but with hair" or "J.K. Simmons but Mongolian." It's often "J.K. Simmons but...". You think you're on top of the world and they're asking for a "J.K. Simmons-type" and then, before you know it, they're asking for a "J.K. Simmons only younger." The next step is for a "J.K. Simmons-type...Oh, you mean he's still alive?"
See, I'm not the type of writer that has 400 songs in a suitcase someplace on the shelf. I'm sort of a rise-to-the-occasion-type of writer, so when I know I'm going to record, I get in the mood to write.
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