A Quote by Kehinde Wiley

I like to play with the conventions around what we expect of paintings historically. But I also like to play with the conventions that you expect from a Kehinde Wiley painting, too.
You don't hire Kehinde Wiley to have a tame painting.
You don't want to move toward some utopian literary situation where everybody's free of all conventions. That's ridiculous! Conventions are what you need. You have nothing to break down if you don't have conventions.
I like to play with transgression and upending conventions, and I like the idea of rooting genre films in character.
I like comic conventions. I genuinely like comic conventions. I like wandering around from table to table; I like wandering up and down Artist's Alley and saying "Hello" to people. I like hanging out on the DC booth. I can't do that anymore. I'd like to, but I can't. I physically can't. If I stop moving, somebody will come up to me with something to sign, and if I sign it, somehow it's like ants sensing sugar. There will be fifty or a hundred people around me and then fire marshals will come and then I'm trapped in a crowd. It's bizarre.
Do we want an Attorney General who will play politics with the law, play politics with the court and just play politics with international conventions designed to protect our troops? I do not want to play that kind of politics. I am going to vote against Alberto Gonzales.
I do conventions sometimes every other weekend. Whenever I have time, and it's not too far away. I get a lot of invitations (to appear at conventions) in other countries and I have to turn them down.
If you are seeking to obey the Lord, expect opposition. Expect obstacles. Expect difficulties. But also expect God to see you through
You're like a witness. You're the one who goes to the museum and looks at the paintings. I mean the paintings are there and you're in the museum too, near and far away at the same time. I'm a painting. Rocamadour is a painting. Etienne is a painting, this room is a painting. You think that you're in the room but you're not. You're looking at the room, you're not in the room.
Profound skepticism is favorable to conventions, because it doubts that the criticism of conventions is any truer than they are.
I have seen American determination in people like Debbi Sommers. She runs a furniture rental business for conventions in Las Vegas. When 9/11 hit, and again, when the recession tanked the conventions business, she didn't give up, close down, or lay off her people. She taught them not just to rent furniture, but also to manufacture it.
I like to play attacking football, but I think the big difference is that we expect a lot more from our strikers, to do more pressing and to keep compact. We like to play a high line defensively and press the ball.
From the beginning of the presidential nominating conventions in the 1830's really through the 1950's, you had conventions that actually did real business.
Let's give the conventions back to the politicians. If we think there's any news, we can tack it on afterward as commentary. But the conventions should be their show, not ours.
Once women begin to question the inevitability of their subordination and to reject the conventions formerly associated with it, they can no longer retreat to the safety of those conventions.
People expect your behavior to conform to known patterns and conventions. Your task as a strategist is to upset their expectations.
I'd like to walk that fine line between the authentic artist self and the manufactured artist self. I'd like to exist outside of a set of expectations or assumptions about what the Kehinde Wiley brand is. And I'd like to walk towards something that's a bit more unpredictable, human.
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