A Quote by Kehinde Wiley
People who - and I think that's been a huge education for me. I think it's a - it's a privilege to be able to meet such a broad cross-section of New York and increasingly the world, and to get a feel of how people respond to visual culture.
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There's a tendency for people in New York to think the world exists between the East and the Hudson Rivers, and I don't share that opinion. To me the world is a big place and I try to reach people everywhere. Listen, if I'm nothing else, I feel I've been a man of the people. I'm not going to pretend to be one of those snobby New York theater people.
I've noticed more people coming to shows and I've had a feeling that they were from a part of the culture I haven't been able to get to before, younger people. I think on iTunes they've been experimenting with my songs and the digital radio world has been very kind to me.
New York is great because it's such a cross-section of the world, and when you're used to people being shoulder-to-shoulder all the time - in the street, on the train - you become a people person. People are very open to hearing a lot of different perspectives, and they aren't as sensitive.
New Yorkers only cross water for visual culture if the water is an ocean. The East River throws us for a huge loop. If we started going to Queens and the Bronx for visual culture, many of our rent, space, and crowding problems would be over indefinitely.
You meet a lot of people in New York who are different than you and have different stories, so I see everyone as super individual. I feel like I can be infinitely inspired because New York is huge.
My favorite thing about New York is the people, because I think they're misunderstood. I don't think people realize how kind New York people are.
My favorite thing about New York is the people, because I think they’re misunderstood. I don’t think people realize how kind New York people are.
I know I am a human being. I can give myself to one year for a project. That is why I say I'm primitive in the way I work, especially compared to most artists. I came to New York in 1974, knowing that it is the art center of the world. But I didn't go to find people for my work. I do the work, and the people come to me, and I learn from them. That has always been my approach - to do the job first and then to respond to it after I finish and learn what people think about it. That's how I develop, and I'm more of an outsider in that way.
I think people are confused about what the Tea Party is. I mean, they were a broad cross-section of Americans who came together concerned about our debt and our spending. And they're interested in constitutional, limited government. And so they're not one group of people. They're thousands of small groups all over the country.
I think fashion is probably one of the most accessible and immediate forms of visual culture. In 1978, when I realized that I wanted to work on fashion, I had gone to Yale to get my Ph.D. in European cultural history. I suddenly realized fashion's part of culture, and I can do fashion history. All my professors thought this was a really bad idea, that fashion was frivolous and unimportant. And, increasingly over time, people have recognized that it provides such a mirror to the way we think, our values and attitudes.
I know a lot of people feel like they get eaten alive by New York, but I feel it more as a father figure or something - this huge presence watching over me. I definitely feel better and work freer here.
I write about all manner of things: a guy fighting aliens in the New York State Library, Antarctica, Inca civilization in Peru, the Great Pyramid at Giza, and people often ask me, where do I get these ideas from? They come from reading widely, watching a lot of documentaries, and increasingly ,as I was able to, travelling around the world.
The New World Order is a more palatable name for the Anglo American world empire. It's the planetary domination of London, New York, Washington over the rest of the world. It's hard to get people to join that or think they have a part in it if you called it the Anglo American world empire. If you call it the New World Order, then people in India or some place like that or the European Union might think, "Well, there's something there for us too." But that's not what it is; it's the Anglo American New World Order.
I believe that a lot of people in our society today, people who have been hurt and even people who haven't been hurt, get their worth and value from what they do, what they look like, what they own, what kind of job they have, what kind of house they live in, how much money they have, what social circles they're in, what level of education they have, especially even how other people respond to them. They feel better about themselves if everybody is giving a smiling nod to the way they look and all their choices.
I feel like I can be infinitely inspired because New York is huge. There's always a new street I can go to, or a billion new people who I haven't met that I could write about. New York is very humbling.
I think something that's so amazing, and why I really wanted to get into modeling, was to be able to travel, to be able to see the world and live in this glamorous world and meet all these different people.
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