A Quote by Kehinde Wiley
What is portraiture? It's choice. It's the ability to position your body in the world for the world to celebrate you on your own terms.
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A writer can't just be well-educated or good at research; to build a living, breathing world with interesting characters, you have to write from the gut. I'm not saying you have to live your life like a fantasy adventure. The trick is the ability to synthesize your own everyday experiences into your fiction. Infuse your characters with believable emotions and motivations. Infuse your world with rich sensory detail. For that you have to be in touch with your own existence and your own soul, the dark and the light of it.
So to the wretched writer I should like to say that there’s one body only whose request for your caresses is not vulgar, is not unchaste, untoward, or impolite: the body of your work itself; for you must remember that your attentions will not merely celebrate a beauty but create one; that yours is love that brings it own birth with it, just as Plato has declared, and that you should therefore give up the blue things of this world in favor of the words which say them
I love tattooed women, maybe because they are uncontrollable, they are themselves to the point of drawing symbols of their power on their skin. Talk about owning your own body, being in your body, claiming yourself. I love it. When the world is in an uproar over whether women should have a choice or not when it comes to their own bodies, being tattooed is one of the most visible choices of all.
Know your place in the world and evaluate yourself fairly, not in terms of the naïve ideals of your own youth, nor in terms of what you erroneously imagine your teacher's ideals are.
You'd better hope and pray
That you make it safe
Back to your own world
You'd better hope and pray
That you'll wake one day in your own world
'Cause when you sleep at night
They don't hear your cries in your own world
Only time will tell if you can break the spell
Back in your own world.
It's important to celebrate your failures as much as your successes. If you celebrate your failures really well, and if you get to the motto and say, 'Wow, I failed, I tried, I was wrong, I learned something,' then you realize you have no fear, and when your fear goes away, you can move the world.
You say you are a nameless man. You are not to your wife and to your child. You will not long remain so to your immediate colleagues if you can answer their simple questions when they come into your office. You are not nameless to me. Do not remain nameless to yourself — it is too sad a way to be. Know your place in the world and evaluate yourself fairly, not in terms of the naïve ideals of your own youth, nor in terms of what you erroneously imagine your teacher's ideals are.
In the modern industrialized Western world, where I come from, the person whom you choose to marry is perhaps the single most vivid representation of your own personality. Your spouse becomes the most gleaming possible mirror through which your emotional individualism is reflected back to the world. There is no choice more intensely personal after all, than whom you choose to marry; that choice tells us, to a large extent, who you are.
Sickness is a hindrance to the body, but not to your ability to choose, unless that is your choice. Lameness is a hindrance to the leg, but not to your ability to choose. Say this to yourself with regard to everything that happens, then you will see such obstacles as hindrances to something else, but not to yourself.
You are what you've been looking for. The answer is always in you alone. There is nothing in the external world. For the external world is an emanation of your own mind, your own thinking and your own imagination. You created this world.
No person knows your body better than you. The world's most sophisticated and sensitive diagnostic apparatus is your own body's feelings.
The ability to see yourself as a temporary expression of intention and to see yourself in all of humanity is a characteristic of the holy relationship. It's the ability to celebrate and honor in all others, the place where we're all one. ...establish a holy relationship with your Source, the world community, your neighbors, acquaintances, family, the animal kingdom, our planet, and yourself.
Become better listeners. Practice the art of listening in everything you do. Not just listening to yourself and your body, but listening to the people around you, listening to the plant world, the animal world. Really open your ears to what's coming at you. From there, see if you can have the ability to respond instead of react. And that usually comes with listening. If the observation and the listening are deep, then your action will be deep also.
If you wish to see the blessings which "God has prepared for those who love Him" (I COR 2:9), then take up your abode in the desert of the renunciation of your own will, and flee the world. What world? The world of the lust of the eyes, of your fallen self (I JN 2:16), the presumptuousness of your own thoughts, the deceit of things you can see.
The moment you know your real being, you are afraid of nothing. Death gives freedom and power. To be free in the world, you must die to the world. Then the universe is your own, it becomes your body, an expression and a tool. The happiness of being absolutely free is beyond description.
When I quit The New York Times to be a fulltime mother, the voices of the world said I was nuts....But if success is not on your own terms, if it looks good to the world but does not feel good in your soul, it is not success at all.
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