A Quote by Kehinde Wiley

So much of the history of painting is the propaganda of self-aggrandizement. — © Kehinde Wiley
So much of the history of painting is the propaganda of self-aggrandizement.
The painting is always done very much with [the model's] co-operation. The problem with painting a nude, of course, is that it deepens the transaction. You can scrap a painting of someone's face and it imperils the sitter's self-esteem less than scrapping a painting of the whole naked body.
The person who imagined that he could not be the victim of propaganda because he could distinguish truth from falsehood, is extremely susceptible to propaganda, because when propaganda does tell the truth, he is then convinced that it is no longer propaganda: moreover, his self-confidence makes him all the more vulnerable to attacks of which he is unaware.
You know, the way art history is taught, often there's nothing that tells you why the painting is great. The description of a lousy painting and the description of a great painting will very much sound the same.
You bet I write disaster fiction. We have compiled a disastrous record on this planet, a record of stupidity and absurdity and self-abuse and self-aggrandizement and self-deception and pompousness and self-righteousness and cruelty and indifference beyond what any other species has demonstrated the capacity for, which is the capacity for all the above.
The United States has it's own propaganda, but it's very effective because people don't realize that it's propaganda. And it's subtle, but it's actually a much stronger propaganda machine than the Nazis had but it's funded in a different way.
The United States has its own propaganda, but it's very effective because people don't realize that it's propaganda. And it's subtle, but it's actually a much stronger propaganda machine than the Nazis had but it's funded in a different way.
The passion of self-aggrandizement is persistent but plastic; it will never disappear from a vigorous mind, but may become morally higher by attaching itself to a larger conception of what constitutes the self.
Among some of the organized methods used to control the world is the thing known and called PROPAGANDA. Propaganda has done more to defeat the good intentions of races and nations than even open warfare. Propaganda is a method or medium used by organized peoples to convert others against their will. We of the Negro race are suffering more than any other race in the world from propaganda... propaganda to destroy our hopes, our ambitions and our confidence in self.
Propaganda has a bad name, but its root meaning is simply to disseminate through a medium, and all writing therefore is propaganda for something. It's a seeding of the self in the consciousness of others.
The most important thing about the gentleman was that he was an idealist. ... He was bred up to a code of self-restraint which taught resistance to pragmatic temptation. He was definitely a man of sentiment, who refused to put matters on a basis of materialism and self-aggrandizement.
I'm not usually drawn to memoir - many run the risk of self-aggrandizement or score-settling.
For Donald, lying was primarily a mode of self-aggrandizement meant to convince other people he was better than he actually was.
Effective leaders are willing to use power and authority, but they're doing it in the service of the collective good, as opposed to self-aggrandizement.
Action painting has to do with self-creation or self-definition or self-transcendence; but this dissociates it from self-expression, which assumes the acceptance of the ego as it is, with its wound and its magic.
In America, much foreign policy seems contrived to be an exercise in political theory with no attention to history whatsoever. Yet there's a great reverence for history - though it's history as thumb-sucking, security blanket-nibbling self-congratulation.
All art is propaganda. It is universally and inescabably propaganda; sometimes unconsciously, but often deliberately, propaganda.
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