A Quote by Kehinde Wiley

I've jokingly painted some of my favorite collectors as black men, so there's a really great portrait of David LaChapelle, the photographer - my version of him - that's in his collection.
In the same way that musicians inspire me, artists and photographers like David LaChapelle influence me with their visuals. A photographer like LaChapelle creates an entirely new and unique visual for their work, and that's what I'd like to do with the Charli XCX world as well.
It is essential for the photographer to know the effect of his lenses. The lens is his eye, and it makes or ruins his pictures. A feeling for composition is a great asset. I think it is very much a matter of instinct. It can perhaps be developed, but I doubt if it can be learned. To achieve his best work, the young photographer must discover what really excites him visually. He must discover his own world.
I was told David Letterman and Kaufman had heart attacks on the same day: David Letterman's heart attack was at a hospital in NYC. Kaufman's heart attack was at the red light district in Amsterdam, Holland. I think Kaufman had more fun. You're a great artist. I just love the way you painted my portrait.
David Mamet we all know is a great screenplay writer and playwright and a great director. If you like him, you like him. If you hate him, you really hate him. He's someone who's into controversy, you know what I mean? That's David Mamet.
I like Stevie Wonder as my favorite non-pianist pianist. I mean, I shouldn't call him a non-pianist, because he's really a great pianist, but he doesn't feature it that much - he uses his keyboards and his piano technique to support his great songs and so forth, but he can really blow.
A photographic portrait needs more collaboration between sitter and artist than a painted portrait.
Every portrait that is painted with feeling is a portrait of the artist, not of the sitter.
[David] Mamet is another hypocrite. His idea of Black man is a pimp who abuses women, [Edmond], yet his play Oleanna [1994] ends with a White professor slapping an uppity feminist, at least the version I saw at San Francisco's ACT.
Our "society" is not a community, but merely a collection of isolated family units. Desperately insecure, fearing his woman will leave him if she's exposed to other men or to anything remotely resembling life, the male seeks to isolate her from other men and from what little civilization there is, so he moves her out to the suburbs, a collection of self-absorbed couples and their kids. Isolation, further, enables him to try to maintain his pretense of being an individual by being a "rugged individualist", a loner, equating non-co-operation and solitariness with individuality.
I sort of feel that the role of a portrait in society is to represent the sitters, we see paintings of Shakespeare and we believe that it is what he looked like, well maybe a little older, fatter and with a higher hairline. I guess it would be cool if the portraits that were painted really did look like the sitter or expressed some sort of emotion that gave the viewers in the future a sense of the sitter's pathos at the time it was painted.
It was a complete dream to work with David LaChapelle. I collected his books as a teenager, and I fantasised that he would direct the video for 'Spectrum' from the moment the song was written. I still can't believe it actually happened, ?and I'm completely overjoyed that he felt such a connection with the song.
If you're going dressier, something like the black dress from my Very collection is great, especially for a second date. It's perfect for meeting his friends, because it's nice and simple, but it has a cheeky waist to show him a little bit extra.
It is not likely that posterity will fall in love with us, but not impossible that it may respect or sympathize; so a man would rather leave behind him the portrait of his spirit than a portrait of his face.
As I followed him along the sharp black stones, I could hear Link's voice in my head. "Bad move, man. He's gonna kill you, stuff you, and add you to his collection of idiots who followed him back to his creepy cave
I met Tom Baker doing a voice-over when David [Arabella's friend, David Tennant] wasn't at all well known. We were doing this voice-over together and I said to Tom, 'Oh, my friend's a really, really big Doctor Who fan,' and he replied, 'Wait!' He got his cheque book out and asked, 'What his name?' I said 'David Tennant'. He wrote, 'To David Tennant, seventeen pounds forty five', signed it and I asked him what it meant. He said, 'He'll know'
David Bowie's my favorite musician. I love him above all, but I'm really into rap a lot right now.
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