A Quote by Kehinde Wiley
The way we think about a presidential portrait is one that is imbued with dignity from the outset.
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At the unveiling at the White House of the presidential portrait, President Bush pointed out that Hillary Clinton was the first sitting Senator in history to have her portrait hanging in the White House.
I've always felt the portrait is an occasion for marks to happen. I've never viewed the portrait as about the sitter. Even when I go to the National Portrait Gallery, I'm not thinking about the sitter; I'm thinking about how the artist chose that color or that highlight. It becomes about the time, place, and context.
When they say [Donald Trump] is not "presidential": I asked myself what does it mean to be "presidential"? You wear a suit; you talk to the American people like you possess the character and the dignity of one who seeks the highest office in the land, and behind the door you're the worst criminal on the planet, plotting the overthrow of nations and governments, and regime change, and sending drones to kill people you don't like? That's presidential.
Everyone sees something different in 'Endgame': a biblical apocalypse, a portrait of painful co-dependency, a confession of guilt and dignity in the face of death, a night of baffling hopelessness, a meaningless babble. Each interpretation reveals an absurd truth - not about the play, but about the person watching it.
In 1800, in the first interparty contest, the Federalists warned that presidential candidate Thomas Jefferson, because of his sympathy expressed at the outset of the French Revolution, was 'the son of a half-breed Indian squaw' who would put opponents under the guillotine.
It is terrifying to see how easily, in certain people, all dignity collapses. Yet when you think about it, this is quite normal since they only maintain this dignity by constantly striving against their own nature.
I know Juffure was a British trading post and my portrait of the village bears no resemblance to the way it was. But the portrait I gave was true of nearly all the other villages in Gambia. I, we, need a place called Eden. My people need Pilgrim's Rock.
The portrait of a person is one of the most difficult things to do. It means you must almost bring the presence of that person photographed to other people in such a way that they don't have to know that person personally, but that they are still confronted with a human being that they won't forget. That's a portrait.
A presidential campaign may easily degenerate into a mere personal contest, and so lose its real dignity. There is no indispensable man.
I think good campaigns generally, but I think particularly presidential campaigns, they're about the voters, and they're about the future. And I think it's hard to be a successful candidate who talks about the future who isn't hopeful, who isn't optimistic, and doesn't offer a vision, right?
Presidential and vice-presidential debates are not about campaign staff or consultants, and it is high time we as a people took control and reminded them and their candidates of that important fact.
Bush had expertise in one thing: How to run a Presidential campaign. He understands campaigns and Presidential politics. He has no interest or disposition or I think probably - he's not stupid, but he's not bright, he's not a rocket scientist - he isn't interested in policy.
What should move us to action is human dignity: the inalienable dignity of the oppressed, but also the dignity of each of us. We lose dignity if we tolerate the intolerable.
When I cover a major presidential, when I vote for a major presidential, or when I cover a major presidential candidate out on the campaign trail, I make it a policy not to vote on the presidential ballot in that election.
When we talk about the word 'socialism,' I think what it really means is just democratic participation in our economic dignity and our economic, social, and racial dignity. It is about direct representation and people actually having power and stake over their economic and social wellness, at the end of the day.
I'm trying to write truthfully about life, and naturalism, or the way people normally talk in movies, is a convention. The way I write is about life and is quite truthful, and there is a kind of brutal side to the relationship, and to the feelings, that makes it somewhat painful, but I think it's a very intense portrait of the relationship of two people. And a bit about what people feel like when they're alone, because it all takes place in one day, and during the day, they spend a lot of time alone in their different - you get to imagine what their fantasy lives are like.
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