A Quote by Kehinde Wiley
I think the pairing of your material practice with your subject is something that is the constant concern of every artist for time immemorial.
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Don’t go searching for a subject, let your subject find you. You can’t rush inspiration. … Once your subject finds you, it’s like falling in love. It will be your constant companion. Shadowing you, peeping in your windows, calling you at all hours to leave messages like, Only you understand me.
In a sense, every work you do is a self-portrait because your paintings always reveal more about you than about your subject. Your experience of something, not the something itself, is the true underlying subject of every work you do.
SuperMemo is based on the insight that there is an ideal moment to practice what you've learned. Practice too soon and you waste your time. Practice too late and you've forgotten the material and have to relearn it. The right time to practice is just at the moment you're about to forget.
You might curb your magnanimity, and be more of an artist, and load every rift of your subject with ore.
If you imitate the forms of a single artist through constant practice, your intelligence would have to be crude indeed for you not to get some nourishment from them.
All success in life, whether material or spiritual, starts with the thoughts that you put into your mind every second of every minute of every day. Your outer world reflects the state of your inner world. By controlling the thoughts that you think and the way you respond to the events of your life, you begin to control your destiny.
You I am sure will forgive me for sincerely remarking that you might curb your magnanimity and be more of an artist, and 'load every rift' of your subject with ore.
For the rest of your life to be as meaningful as possible, engage in spiritual practice if you can. It is nothing more than acting out of concern for others. If you practice sincerely and with persistence, little by little, step by step you will gradually reorder your habits and attitudes so as to think less about your own narrow concerns and more about others' - and thereby find peace and happiness yourself.
Practice, practice, practice. Practice until you get a guitar welt on your chest...if it makes you feel good, don't stop until you see the blood from your fingers. Then you'll know you're on to something!
Continue to invest in your personal development. Expand your occupational horizons by constant study . . . look to your present job as a stepping-stone along your career path. Take time to think. The dimensions of most jobs are constrained only by the mind of the uncreative worker. I like what one business man counseled: If at first you do succeed, try something harder!!!
The only thing I can say that is not bullshit is that you do have to learn to write in a way that you would learn to play the violin. Everybody seems to think that you should be able to turn on the faucet one day and out will come the novel. I think for most people it's just practice, practice, practice, that sense of just learning your instrument until - when you have an idea on the violin, you don't have to translate it into violin-speak anymore - the language is your own. It's not something you can think your way into, or outsmart. you've just got to do it.
I think it's beneficial to practice with a metronome or drum machine in order to strengthen your sense of time. It will help your concept of time and improve your feel.
I don't think it's an artist's responsibility to be political all the time. I think your first responsibility as an artist is to make music that people will listen to and enjoy. However, I think that when you are able to say something that is moving and put it in a great song, then that is even better.
Practice is a shared history of learning. Practice is conversational. 'Communities of Practice' are groups of people who share a concern (domain) or a passion for something they do and learn how to do it better (practice) as they interact regularly (community).
Every time I'm in the studio, I always think of my professor in undergrad. He was like, "There are so many artists in the world. If you're going to be an artist, make sure you have something to say. Don't just be an artist and put out bullshit. Have something to say." I guess that would be my philosophy and something I think about all the time. Every day when I'm in the studio I hear him and I see him. I remember him saying it in class. So that's something that I always want to make sure I have: I'm saying something with the work.
Go with your gut every single time. It’s never, ever wrong. Even if feels like everybody else is telling you that you need to do this or do that. Your gut is your artist and who you are as a person and what makes you special, and what makes you an interesting performer. Never try to be something you’re not.
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