A Quote by Kehinde Wiley

There's something to be said about the art-industrial complex, the collectors who recognize that your work has some sort of future economic value. — © Kehinde Wiley
There's something to be said about the art-industrial complex, the collectors who recognize that your work has some sort of future economic value.
I think I've come through the art-industrial complex - I've been educated in some of the best institutions and been privy to some of the insider conversations around theory and the evolution of art.
Everyone's heard about the military-industrial complex, but they know very little about the medical-industrial complex...(in) a medical arms race.
I believe that the military-industrial complex is more important than ever. This is because the war in Kosovo gave fresh impetus not to the military-industrial complex but to the military-scientific complex. You can see this in China.
If you're a painter and you want people to know who you are and recognize your work, you've got to build some long-term value.
Economic theory dictates that the value of a company is basically the present value of its future profits. To estimate Facebook's value through its future profits, we need to have a view on its user growth and how this will evolve in the next 10 to 50 years.
I don't think fashion people know about my work. Some collectors find some of the work too intense.
The US government decided today that because I did such a good job investigating the cyber-industrial complex, they’re now going to send me to investigate the prison-industrial complex.
The prison-industrial complex and the military-industrial complex are here with us and are multi-billion dollar enterprises. We can make more money off the kid in Compton if he's a criminal instead of a scholar. It's business.
Childhood is not merely basic training for utilitarian adulthood. It should have some claims upon our mercy, not for its future value to the economic interests of competitive societies but for its present value as a perishable piece of life itself.
If you talk about the prison-industrial complex, I've fought against the prison-industrial complex when I called for a repeal of the Rockefeller drug laws. The biggest impediment to get the laws changed was the lobbyists. Whether you're talking about healthcare, jobs going overseas, or tax reform, you're always coming up against lobbyists.
Debt collectors like to play on your emotions because they think you'll give in and do something you can't really afford to do. Most of them don't care about you or your situation as long as they get some money.
...treasure what it means to do a day's work. It's our one and only chance to do something productive today, and it's certainly not available to someone merely because he is the high bidder. A day's work is your chance to do art, to create a gift, to do something that matters. As your work gets better and your art becomes more important, competition for your gifts will increase and you'll discover that you can be choosier about whom you give them to.
Many artists and critics see collectors like kids see their parents: as the ones with money and power who just don't get it. Once they start to mingle with the collectors and learn that they are people who have achieved something who then expand into art, they change their minds.
I am not opposed to the art market. I have lots of friends who are collectors. But the whole idea of the art market is complex. Sadly we have a situation where auction houses and secondary market dealers are creating a lot of confusion and unnecessary pollution.
I think in the Western world we have gotten overly identified with doing, and we've kind of forgotten about the art of being. And we don't see value in it; we think that if you're not doing something all of the time, being very active and producing something, then you're sort of wasting your time.
Art goes on in your head. If you said something interesting, that might be a title for a work of art and I'd write it down.
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