A Quote by Kehinde Wiley
You have to be careful about over-politicizing the utterances of people of colour because, oftentimes, there's poetry that seeks to go beyond that narrative.
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...This is the first time I have met someone who seeks out people and who sees beyond. [...] We never look beyond our assumptions and, what's worse, we have given up trying to meet others; we just meet ourselves. We don't recognize each other because other people have become our permanent mirrors. If we actually realized this, if we were to become aware of the fact that we are alone in the wilderness, we would go crazy. [...] As for me, I implore fate to give me the chance to see beyond myself and truly meet someone.
Careful poetry and careful people live only long enough to die safely.
Thus poetry, regarded as a vehicle of thought, is especially impressive partly because it obeys all the laws of effective speech, and partly because in so doing it imitates the natural utterances of excitement.
Most footballers are quite tense, aren't they? So many footballers have been stitched up over the years. They've got to mind what they say, be careful about this, careful about that, because something might be misconstrued, twisted around.
In the studio, we adhere to a strict colour code. Developed over decades, the colour code consists of a finite and precise colour palate... The whole world as we experience it comes to us through the mystic realm of colour.
Poetry is fascinating. As soon as it begins the poetry has changed the thing into something extra, and somehow prose can go over into poetry.
Security is very difficult. You have to be very careful about security, and I think oftentimes people just forget; they don't invest in the right things.
It's no new narrative to say that when people get out of child stardom, they oftentimes rebel in very serious ways.
But it is the province of religion, of philosophy, of pure poetry only, to go beyond life, beyond time, into eternity.
I'm very careful. I think about everything. Some people go, 'Oh, I went out and bought something and didn't realise how much it was,' but there's no such thing with me. I always think about the future because I never want to go backwards.
In my opinion, the most significant works of the twentieth century are those that rise beyond the conceptual tyranny of genre; they are, at the same time, poetry, criticism, narrative, drama, etc.
She wasn't about to go down that road herself, which was a testament to her spiritual awakening and her commitment to sanity. It was a real blessing that she didn't follow me, because oftentimes, people go out together and one comes back and the other doesn't. Or both of them never do.
One of the reasons why I think virtual reality, as a narrative format, is never going to go beyond the short-form immersion space is because the bedrock of visual storytelling is the reverse angle. If you can't look into the eyes of the protagonist, you cannot hold people's attention for more than 15 minutes.
I had an idea for a story about a young woman who was living with people who were different, not just superficially different - such as hair colour, or eye colour, or skin colour - but different in some significant way.
Cable television is such a part of our society now. Oftentimes, the shows are really good, and you're just like, 'Well, it's worth sitting through the sex and violence because the narrative is so great.'
It is possible to be a meta-physician without believing in a transcendent reality; for we shall see that many metaphysical utterances are due to the commission of logical errors, rather than to a conscious desire on the part of their authors to go beyond the limits of experience.
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