A Quote by Kehinde Wiley

Artists have been very good at working for the church and for the state; communicating the aspirations of a society. — © Kehinde Wiley
Artists have been very good at working for the church and for the state; communicating the aspirations of a society.
It is true that traditional Christianity is losing some of its appeal among Americans, but that is a religious, not political, matter. It is worth remembering that the Jeffersonian 'wall of separation' between church and state has always been intended to protect the church from the state as much as the state from the church.
In the first place, the church can ask the state whether its actions are legitimate and in accordance with its character as state, i.e., it can throw the state back on its responsibilities. Secondly, it can aid the victims of state action. The church has an unconditional obligation to the victims of any ordering of society, even if they do not belong to the Christian community. The third possibility is not just to bandage the victims under the wheel, but to put a spoke in the wheel itself.
I think every artist should follow their vision; their hearts is what they need to reveal, not something that society is looking out for. That said though, I think also artists have, continuously good artists, have been good for their times.
If the state - and within the state, the judiciary particularly - harasses and undermines the Church , in any society the state undoes itself.
It is the wall of separation between church and state . . . that is largely responsible for religion thriving in this country, as compared to those European countries in which church and state have been united, resulting in opposition to the church by those who disapprove of the government.
The church can challenge society, but society also challenges the church. That's good. We should be humble enough to be able to accept that.
The right to religious freedom has its foundation, not in the church or society or the state, but in the very dignity of the human person.
The state of female artists is very good. But the very definition of art has been biased in that 'art' was what men did in a European tradition and 'crafts' were what women and natives did. But it's actually all the same.
You know, the state of Connecticut is... sometimes it's a provincial state. And I've been working very hard to get the endorsement of the people within our state, and ultimately, the ultimate endorsement is from the voters in the state of Connecticut.
The coziness between church and state is good for the state and bad for the church
When a church reaches up beyond its group and tries to enforce its standards upon a society that doesn't accept these standards, and perhaps for good reason, perhaps for bad reason, but anyway this is the problem we face in pluralistic society, that not necessarily every standard that every church tries to enforce upon the society is from the society's standpoint a good standard.
A workshop is a way of renting an audience, and making sure you're communicating what you think you're communicating. It's so easy as a young writer to think you're been very clear when in fact you haven't.
I'm so language-based and I'm so about communicating, and my art has always been very audience-based, and very about being functional and communicating something, and about feeling like I have to be heard.
There's no doubt that the Christian right has gone to bed with the more conservative elements of the Republican Party. And there's been a melding in their goals when it comes to the separation of church and state. I've always believed in the separation of church and state.
I think artists are always investigating how to have an economic, political platform. At one time, artists were supported by the Church. Then they were supported also by the state.
When you go into a college of education you've got aspirations of making a difference in people's lives, of loving children, of working with kids, but none of that is affirmed in your college of education. Then you go working in schools, especially in places like New York City and Chicago that I'm most familiar with, and you find these huge aspirations are beaten out of you in a very systematic way - and still people persevere.
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