A Quote by Kehinde Wiley

Gauguin is creepy - let's just face it. He goes off into the Pacific, and he's looking at these young girls, and the colonial gaze: It's just really problematic. — © Kehinde Wiley
Gauguin is creepy - let's just face it. He goes off into the Pacific, and he's looking at these young girls, and the colonial gaze: It's just really problematic.
He's been in love with Miss Gina since high school, but he doesn't really know how to talk to girls, so he's just been...staying around her since then. He just tends to go where she goes." "Isn't that stalking?" Jazza said. "Legally, no," I replied. "I asked my parents this when I was little. What he does is creepy and socially awkward, but it's not actually stalking.
Yeah, I try to be the best example I can be for young girls just as far as my person goes - just to uphold a good image.
I have to just come to work every single day. That's not just on the field but off the field, because you have little kids looking up to you; your face is the face of this franchise and this university. You have to understand that every decision that you make is going to be criticized.
When you're young, and you have long hair, it's just really long hair. And then you get to a certain point where you start to look after it, and then people will tell you that you have to cut a little bit off so it grows quicker. And it just doesn't. It just has more cut off. And I think I just got really annoyed with it.
Let's face it, there's just different access that young boys have to sport and teams than girls.
Looking up to girls for inspo is a beautiful thing, but comparing yourself is what creates the anxiety and self-hatred. It's really important that young girls know the difference.
The thing that's the most lovely to me, looking back at my time on 'Gilmore Girls', was how fortunate I was to be a young actor and to be on a show that made it really cool for girls to be smart.
To me, acting used to be just, 'Get my face out there, get girls, make a little bit of money, make my mom proud.' It was just like sports. But there were moments in 'Moonlight' that I really felt like I had to know why he is the way he is. Or just people in general - why this person walks around with a frown on their face instead of a smile.
Sometimes, you've got to be in a place. You're just another guy. You can just blend in. I live out in the wilds of nowhere, out in Jersey. Even there, there's sometimes problems. College students like journey out there and show up at 11 o'clock at night, on my porch, looking into the door not saying anything. My wife and I are sitting there; it's really creepy.
Girls like to see girls dressed up like princesses occasionally. Guys don”t really care, they just want to get the clothes off.
The narrative for girls is that you just hang around and wait to be "chosen" and then you belong to somebody and you live happily ever after. There isn't room for more nuanced concerns about the creepy proprietary nature of that relationship model, or the breadth of what fulfillment really means for women.
What it meant for me to win the Emmy is I found it. It's not just the award. It's what it's going to mean to young girls - young brown girls, especially. When they saw a physical manifestation of a dream, I felt like I had fulfilled a purpose.
I like individual scents on a girl, so you always recognize her and you keep her separate from other people in your head. I really love Egyptian musk. I've even gone to the mall and sprayed perfumes and just smelled them. I'm creepy. So creepy.
I can imagine people in Third World countries looking at, you know, someone like Hillary Clinton raising $35 million for her presidential campaign that goes to really, you know, nonproductive means, and they see that, and they just - it's just really immoral, I believe.
Just playing with the lads in school, really, and having a kick around, and I ended up at a Sunday club just for girls, and there was only about 15- 20 girls there, and I just moved on to a club from there.
When you are old you can look back and see yourself when you are young. It is almost like looking down from heaven. And you see yourself as a young woman, just a big girl really, half awake to the world. You see yourself happy, holding in your arms a good, decent, gentle, beloved young man with the blood keen in his veins, who before long is going to disappear, just disappear, into a storm of hate and flying metal and fire. And you just don't know it.
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