A Quote by Kehinde Wiley
I'm about looking at each of those perceived menacing black men that you see in the streets all over the place, people that you oftentimes will walk past without assuming that they have the same humanity, fears that we all do.
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For years, I've been painting black men as a way to respond to the reality of the streets. I've asked black men to show up in my studio in the clothes that they want to be wearing. And often times, those clothes would be the same trappings people would see on television and find menacing.
Poverty is not an accident of, sort of, an economic spreadsheet. Poverty is a crime. There are criminals involved. And those criminals walk the streets as free men. What my music is about, and what - this from the riots in the streets of Greece and Spain to the people's uprisings in Egypt and Libya and Madison is about is holding those people accountable, those who are responsible for subverting the entire global economy and causing so much misery and then laughing about it with their, you know, clinking their champagne glasses on their yachts.
I see men assassinated around me every day. I walk through rooms of the dead, streets of the dead, cities of the dead; men without eyes, men without voices; men with manufactured feelings and standard reactions; men with newspaper brains, television souls and high school ideas.
I'm not talking about my children's father'he's a wonderful black man, the hero of my life, and he's never disrespected or betrayed me. But I'm talking about what I see in the streets and in the media, this naked hatred that black men have towards the authentic black woman'which is really an indication of black men's hatred for blackness itself.
Many people see my early work simply as portraits of black and brown people. Really, it's an investigation of how we see those people and how they have been perceived over time.
Look, I really do not care about you. What I care about is the worlds that you bear witness to. You are nothing more than a dog with a video camera strapped on its back. As you walk the streets looking for a place to mate or piss or eat, the camera is on and we will see the world because of you... You carry the camera and we enjoy the world. (On images as autobiography)
New York has a thousand universes in it that don't always connect but we do all walk the same streets, hear the same sirens, ride the same subways, see the same headlines in the Post, read the same writings on the walls. That shared landscape gets inside of all of us and, in some small way, unites us, makes us think we know each other even when we don't.
Here is the chance for young women and young men of devotion to lift again the banner of humanity and to walk toward a civilization which will be free and intelligent; which will be healthy and unafraid; and build in the world a culture led by black folk and joined by peoples of all colors and all races - without poverty, ignorance and disease!
Most CEOs walk around the office like we own the place, without realizing that the place itself isn't worth owning: a business's value comes from the people who walk out the door every night, who have to decide each morning whether to walk back in. One of the simplest things you can do as a leader is honor their choice and appreciate their work.
"So, why do I have so much fear in my life?" "Because you don't believe. You don't know that we love you. The person who lives by his fears will not find freedom in my love. I am not talking about rational fears regarding legitimate dangers, but imagined fears, and especially the projection of those into the future. To the degree that those fears have a place in your life, you neither believe that I am good not know deep in your heart that I love you. You sing about it, you talk about it, but you don't know it."
There's no doubt that I really have a feeling for the theater. These past few days it has occurred to me to do a comedy whose chief characters are photographic enlargements. Those people we see in doorways. Newlyweds, sergeants, dead girls, an anonymous crowd full of mustaches and wrinkles. It should be terrible. If I focus it well, it will possess pathos without consolation. In the midst of those people I will place an authentic fairy.
Let us imagine a number of men in chains and all condemned to death, where some are killed each day in the sight of the others, and those who remain see their own fate in that of their fellows and wait their turn, looking at each other sorrowfully and without hope. It is an image of the condition of man.
How strange it is. We have these deep terrible lingering fears about ourselves and the people we love. Yet we walk around, talk to people, eat and drink. We manage to function. The feelings are deep and real. Shouldn't they paralyze us? How is it we can survive them, at least for a little while? We drive a car, we teach a class. How is it no one sees how deeply afraid we were, last night, this morning? Is it something we all hide from each other, by mutual consent? Or do we share the same secret without knowing it? Wear the same disguise?
And I might add the confidence with which distracted persons do oftentimes, when they are awake, think, they see black fiends in places, where there is no black object in sight without them.
There is nothing like walking on the streets on a freezing cold day and hearing fans scream your name, then stopping to talk to those same fans. There is nothing like looking into the crowd at the Q and seeing over 20,000 people wearing wigs to match your hair. Those are feelings I will cherish for the rest of my life and never forget.
Not chance of birth or place has made us friends, Being oftentimes of different tongues and nations, But the endeavor for the selfsame ends, With the same hopes, and fears, and aspirations.
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