A Quote by Kehinde Wiley
The erotic and the art historical imagination is something that gets very little play when people talk about my work, and when they rarely do, they try to problematize it.
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When we talk about novels, we don't often talk about imagination. Why not? Does it seem too first grade? In reviews, you read about limpid prose, about the faithful reproduction of consciousness, about moral heft, but rarely about the power of pure, unadulterated imagination.
There's something in the Western mind that gets very nervous when you try to talk about the bedrock of ontology.
In literary representation, the distinction between the genuinely erotic and the licentious is a distinction not of subject-matter, but of perspective. The genuinely erotic work is one which invites the reader to re-create in imagination the first-person point of view of someone party to an erotic encounter. The pornographic work retains as a rule the third-person perspective of the voyeuristic observer.
I think when people talk about race relations in America, they talk about African-American and white people. Asians are not often brought into the conversation. But there's a historical legacy of issues between them. It's hard to be like, 'What about us?' But we are a little underrepresented.
You try so hard to make something that's fun and exciting, then all anyone wants to talk about is how no-one likes you. It gets very grinding. I had to let the chip I have on my shoulder about that go.
Everybody gets all worked up about trash talk but it is what it is - it's talk... You ask any player, honestly, if trash talk's gonna affect how hard they play, because if a little trash talk affects how hard they can play, it just lets us know that they were holding back or weren't playing harder or as hard as they could.
With a movie you're creating from the beginning this particular work, let's not call it work of art, because very few movies are works of art, let's just call them bits of popular culture, whatever they are, sometimes very rarely by accident a movie becomes a work of art.
All art is erotic. The first ornament to have been invented, the cross, was of erotic origin. It was the first work of art. A horizontal stroke: the woman lying down. A vertical stroke: the male who penetrates her.
What is erotic? The acrobatic play of the imagination. The sea of memories in which we bathe. The way we caress and worship things with our eyes. Our willingness to be stirred by the sight of the voluptuous. What is erotic is our passion for the liveliness of life.
Naturally, no one knows more about music than musicians. They talk about their own work all the time, but they rarely get to talk about other people's music.
I've come across a lot of people in my life who talk about poverty and talk about the poor, but you rarely have a sense that it matters to them to the point at which they will be willing to sacrifice something.
When you talk about the problem of illegal immigration, people are angry and polarized. When you talk about the answers, the debate gets a little different.
People tend to view land art as something that happened at a certain historical moment - like minimal art, which I was also very much involved with. But it still goes on. It's very much alive.
I try to limit my time with Michael Davies to as little as possible per week, and he is pretty good with that, since he has a bazillion things to do. When I do see him, I try not to talk about dental work or anything like that because I know the Brits get very sensitive.
Art should walk a tightrope. That's what art should be. Art should be dangerous. You can't be scared to say something with it. People love to talk about how comics are real art and real literature, so why not use these characters to talk about real things, even if it is dangerous?
If an artist does not have an erotic involvement with everything that he sees, he may as well give up. To be a human being may a very messy thing, but to be an artist is something else entirely, because art is religion, art is sex, art is society. Art is everything.
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