A Quote by Kehinde Wiley

Fashion is fragile and fleeting. But it is also an indicator for the cultural and social appetites for a nation. — © Kehinde Wiley
Fashion is fragile and fleeting. But it is also an indicator for the cultural and social appetites for a nation.
By carrying the torch, you will be bridging cultural and social barriers, and all the boundaries that separate nation from nation.
Speaking for the nation as a whole entails understanding and feeling the pain, as well as understanding the aspiration of the different cultural, social and political make-up of the nation.
The current nation-state model is the product of thousands of years of political, social, and cultural evolution. I mean, it was only recently - in, like, the last few decades - that people have tried to create an organizing principle larger than the nation-state.
Satire is not a social dynamite. But it is a social indicator: it shows that new men are knocking at the door.
I think fashion is a lot of fun. I love clothes. More than fashion or brand labels, I love design. I love the thought that people put into clothes. I love when clothes make cultural statements and I think personal style is really cool. I also freely recognize that fashion should be a hobby.
Whatever we once were, we are no longer just a Christian nation; we are also a Jewish nation, a Muslim nation, a Buddhist nation, a Hindu nation, and a nation of nonbelievers.
While fashion is exciting because it changes all the time, it is also fleeting. Film, though, is forever. In a way therefore, film is the ultimate design project.
The glory that goes with wealth is fleeting and fragile; virtue is a possession glorious and eternal.
Learn to respect this sacred moment of birth, as fragile, as fleeting, as elusive as dawn.
The fashion industry is an immense cultural and social blight that only gets a free pass because its would-be detractors are scared it'll start criticising their haircut.
The fame that goes with wealth and beauty is fleeting and fragile; intellectual superiority is a possession glorious and eternal.
The economic, social and cultural progress of a nation depends on citizens counting for more and having more rights.
Beyond fashion and its demands, there are higher and more pressing laws, principles superior to fashion, and unchangeable, which under no circumstances can be sacrificed to the whim of pleasure or fancy, and before which must bow the fleeting omnipotence of fashion. These principles have been proclaimed by God, by the Church, by the Saints, by reason, by Christian morality.
The body must be regarded as a site of social, political, cultural and geographical inscriptions, production or constitution. The body is not opposed to culture, a resistant throwback to a natural past; it is itself a cultural, the cultural product.
Regarding social order, [Francis] Fukuyama writes, "The systematic study of how order, and thus social capital, can emerge in spontaneous and decentralized fashion is one of the most important intellectual developments of the late twentieth century." He correctly attributes the modern origins of this argument to F. A. Hayek, whose pioneering contributions to cognitive science, the study of cultural evolution, and the dynamics of social change put him in the forefront of the most creative scholars of the 20th century.
Writing about fashion forces you to overcome the nagging feeling that fashion doesn't "matter", that it's trivial or fleeting. I just look at it anthropologically, which is different from the way I'd write about art.
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