A Quote by Kei Nishikori

I've been feeling really comfortable on clay because I have more time to set up my forehand. I can use a lot of different shots - drop shots and high balls. You can mix up a lot of shots, so it's actually more fun to play on clay.
You don't have to hit perfect shots all the time here. The variety of shots you get to play, the shots you sometimes have to hit along the ground, it's just a lot of fun to me.
When you have a lot going on in a scene - whether it be a lot of shots, a lot of coverage, a lot of edits, or just the amount of content - it can cover up a deficit of true feeling. But when you don't have a lot of material to work with, you really have to be sincere with everything. You really have to mean it, because there's nowhere to hide.
There are a plenty of shots that I have been amazed by, but a lot of these shots are played because you have worn an iron mask. Take away the protection, and let me see if they play them. Don't forget that the past players did not have any protection.
I try to do a good job of contesting shots and blocking shots and altering shots, but I've got to do a better job of doing more.
I shoot a lot of bank shots and a lot of shots around the perimeter. There's a lot of things I like to work on, but I know my bread and butter when it comes down to it, and that's in the post.
I build confidence when I practice a variety of shots - hitting it high or low, working the ball. A lot of golfers go to the range and just hit full shots. That doesn't build on-course confidence, because you won't always hit full shots out there. My confidence is built on knowing I can effectively work the ball in any circumstance.
I think everyone is just expanding, with the centers shooting 3s. I think that just opens the floor up a lot more. A lot more shots are going up, a lot more freedom of movement. It makes it more of an exciting game.
If I'm blocking shots or changing shots or even preventing players from taking shots, I'm helping the team and we are likely to win when our defense is playing well.
Mo-cap work is less technical than you'd expect. Once you have it all set up you're free to do the whole scene in one take rather than doing a lot of different shots and different takes like you do in a movie. You've got that one go at it and you've got a lot of freedom. You can really express yourself - more like doing theatre than doing a movie.
When you're playing spot minutes, it's harder to hit those shots. But if you're getting volume shots, now it's a lot easier to get a rhythm.
In the past years, I got in a lot of foul trouble because I was out of position, or because I was just too aggressive. I was trying to block too many shots. It's really just learning when to take a chance at blocking shots, and to get to spots early.
For me, it's just finding ways to create shots. I feel like if I got a shot off, it has a good chance of going in. So it's finding ways of creating different shots. Being smart. I watch film a lot, and different tricks that I can do to get my shot off the ball and creating ways to get shots off of pick-and-rolls or one-on-one situations like that.
I've hit a lot of big shots and missed a lot of big shots, and I'll continue to shoot them.
If you are not physically strong, it's difficult. But at the same time, I think you need something more than that; you need to vary your shots, as Justine has been able to do in Amelia or Charleston, where she beat her -- I can't remember where it was on clay. So you need this kind of thing. But of course if you're not fit, you'll never make it through.
I believe that good defense embodies seven cardinal principle: reduce the number of your opponent's shots; force your opponent into low percentage shots; control everything within 18 feet; eliminate second shots; no easy baskets; point the ball on all long shots; and prevent the ball from going into the pivot man.
In the school of boxing that I come from, that's frowned upon, giving up free shots, cos we know what those kinda shots do to a man's career, regardless of whether it shows up now, or shows up when you least need it. It takes a toll.
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