A Quote by Kei Nishikori

I think clay has more rhythm so I can feel more balls better. — © Kei Nishikori
I think clay has more rhythm so I can feel more balls better.
Nadal is just more at home on clay. It looks like he feels safer on clay courts. He can get to a few more balls, he can play a bit further behind the baseline when he defends, and he's also able to get the ball to bounce higher. It's unbelievable.
I've been feeling really comfortable on clay because I have more time to set up my forehand. I can use a lot of different shots - drop shots and high balls. You can mix up a lot of shots, so it's actually more fun to play on clay.
This clay, so strong of heart, of sense so fine,Surely such clay is more than half divine--'Tis only fools speak evil of the clay,The very stars are made of clay like mine.
From my own experience, the more you play, back-to-back games, the better you feel, with more self confidence and rhythm.
More people than ever are spending money to support more artists and musicians and give them more leisure time to build cereal balls...and the art world is eating those balls up!
And also, more and more businesses really want to do the right thing. They feel better about themselves, their workers feel better, and so do their customers. I think this is equally true in the transnational corporations, but it is harder to express in those situations.
The more balls that I hit, it's going to get better and better. Once I get a bit more confidence in my ball striking, that's when we can get down to the nitty gritty parts of the game.
In Madrid, the conditions are always better for me. It suits my game: fast clay, high altitude, the balls fly really well.
The music masters familiarize children's minds with rhythms and melodies, thus making them more civilized, more balanced, better adjusted in themselves, and more capable in whatever they say or do, for rhythm and harmony are essential to the whole of life.
I think there's a correlation between mechanically being in the right place and the body moving the correct way to more balls being in the air, whether it's line drives or fly balls.
I am not interested in things getting better; what I want is more: more human beings, more dreams, more history, more consciousness, more suffering, more joy, more disease, more agony, more rapture, more evolution, more life.
Women are more sensitive, more practical, more intelligent, more balanced, better able to deal with people, better cooks, better parents, better carers, better leaders, and so on and so forth.
The more I find life to be a great design, the more I suspect it to be singular in existence; the more I suspect it to be singular, the more I feel it to be specific and personal; the more I feel it to be personal, the more I think of it to be a mere question; And the more I think of it to be a question, the less I understand the questioner.
I certainly think, obviously, rhythm is a huge part of being an actor. It just is unconscious, to a degree, but particularly in comedy, rhythm is pretty essential, and there's probably something more physiological going on.
The way you feel is your point of attraction, and so, the Law of Attraction is most understood when you see yourself as a magnet getting more and more of the way you feel. When you feel lonely, you attract more loneliness. When you feel poor, you attract more poverty. When you feel sick, you attract more sickness. When you feel unhappy, you attract more unhappiness. When you feel healthy and vital and alive and prosperous-you attract more of all of those things.
The great thing about living until you get a bit older if you are a writer, and especially a poet, is that you have more life to reflect on. And I think that if I am better now - and I think that I am probably better than I was - is because that I simply have more to think about, more to get under control, more to understand.
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