A Quote by Keira Knightley
I think fashion is like putting on armor. I like that aspect of it, but it's not something I want to think about every day.
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I think that, every individual you invent in narrative work, you have to have some root in who that person is. That may be an aspect of yourself; it may be an aspect of something that you like, that you don't like. It may be an aspect that you wish you had. Maybe something you admire in another person.
I'm putting my life at risk, literally! And if I slipped... You never know. And I think about it. I think about my family and I'm like, wow, this is like being a police officer or something, in war or something.
When you think about your relationship with Christ, it really just affects every aspect of your life. I think a lot of people try to segment off, like, 'This is church, so this is God, this is my daily life, this is my job,' but I think true faith is when it manifests itself in every single aspect of your life.
When you think about being a director, you think about writing stories, putting the camera in interesting places and directing the actors to get your vision, but it's hard to imagine even this process... sitting here nine months later talking about the film and talking about it 20 times in one day. You don't even think about the part where you come to the set every morning and everyone's looking at you to see your mood in order to see what the day is going to be like, and the influence that you wield.
I really don't think about making fashion statements. Just like any other woman or girl, I like to dress up. I think I'm fortunate enough to be dressed by some of India's best designers and to have the opportunity to wear their wonderful creations. But I have never made a conscious effort to try and be a fashion icon or something.
I like to wear more traditional work outfits like pants and a blouse, but I want the blouse to have something that is a little bit different and interesting - like with some studs on it or a little bit of lace. I want to feel comfortable and confident and don't want to have to think too much about what I wear every day.
We can use our art to become political, to become something you want to talk about. We make clothes, but we have the chance to change a generation as well. We have to remember that fashion changed the roles of men and women: When Yves Saint Laurent was putting pants on a woman, he was not only doing that - he was assuming the fact that a woman can wear pants like a man. It's all the codes that I think fashion pushed so much to change the world, and today it's what I'm trying to do in my own way.
Between food and fashion, there's always a direct correlations - designers have forever done prints with food on them. Vegetables, fruit, apples. There are some beautiful prints that have been made with fruit over time. I think food and restaurants have become more and more fashionable over time. That's become more of a fashion thing than fashion becoming a food thing. I don't think fashion has gotten so food oriented in the reverse aspect, but I think the whole food industry has gotten very design oriented. I think it's a nice way of putting things together.
I like to produce something every day. The easiest way to get ideas out is to put them on paper. I like to sit back at the end of every day and think, 'I created that today.'
I never think about it much, the visual aspect of it, until we start making the movie. I don't really think about it when we write. When we finish, and I start putting the film together, and we pick the locations, I do think about that a lot.
I like to dress up every day, so I think fashion is an everyday process.
I literally think that if you're in this business, it has to be the only thing you can and want to do, because it's so hard. You have to be fully committed - and partially insane - to wake up every morning and be like, "I'm an actor." I have it in my blood. It's in every pore of my body. There's always something awesome about every project, even with the worst ones. I try to remind myself every time I think about complaining that there are way worse jobs than mine.
I think creating the clothes is about creating historical images - and that's about more than fashion. It is about the fashion, the photography, what you are doing in the moment. It's what we call in French rechercher, or the search for that thing. So even though fashion is not scientific, I think being a designer is somewhat like being a scientist.
It's just really important I think for fashion to be affordable, because everyone should have the opportunity to wear cute things and be happy and comfortable in what they are wearing. That's definitely how I like to shop and how I like to think about clothes and fashion.
Every time I'm in the studio, I always think of my professor in undergrad. He was like, "There are so many artists in the world. If you're going to be an artist, make sure you have something to say. Don't just be an artist and put out bullshit. Have something to say." I guess that would be my philosophy and something I think about all the time. Every day when I'm in the studio I hear him and I see him. I remember him saying it in class. So that's something that I always want to make sure I have: I'm saying something with the work.
I guess I have some kind of a visceral connection with drums. I'm looking to create music that people can react to viscerally, and people will respond to viscerally. I think that you can listen to music, to a song you've never heard before and not really like it, but also feel like you're responding to it physically whether you like it or not. I think that's a powerful aspect about music, and I think that's something that draws me to drums.
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