A Quote by Keira Knightley

If I don't do this film. I'll be acting in corsets for the next 20 years. — © Keira Knightley
If I don't do this film. I'll be acting in corsets for the next 20 years.
I'd love to be in a 1910s film - the era between the corsets and losing the corsets.
Historically, we have always seen reversion to the mean. After stocks have had an unusually great 10 or 20 years, they typically turn in subpar results over the next 10 or 20, and after bad 10- to 20-year stretches, the next 10 to 20 tend to be above average.
I would like to live to 120, because conceptually, people can survive to 120. Every 20 years, it changes. So maybe, in the next 20 years people can go to space. I don’t know what the next revolution will be. I want to watch.
When you make a film for a million and a half dollars and it opens at 20 million, the next question out of everyone's mouth is, 'When's the next one, when's the next one, when's the next one?'
I know that the greatest of actresses has about 20 good years of acting in her and that she will go on living for 30 or 40 years as a human being. So, the conclusion I have come to is that I can't make acting my whole life.
The first 20 years had such a profound effect on me, I spent the next 20 dealing with them.
'How the West was Won' was very hard, because it was a three cameras technique, meaning three cameras wide. Therefore I wasn't speaking to my fellow performer, I was speaking to a camera, or a line next to the camera. It was difficult to do, because its not real acting. I had to pretend that I was 'seeing' Agnes Moorhead or Jimmy Stewart or Carroll Baker. I wasn't, I was acting to a drawn line. It took me personally two years to make the film, because my character starts at age 16 and I end up being 92 years old in the film. By the end of that production, I was ready for a long nap.
The economy in the next 20 to 25 years is going to change more than they did in the last 20, 25 years. And that's because exponential trends are affecting a bigger and bigger share of the economy. So we have some huge disruptions in store, and I can't predict exactly what the innovations are going to be. If I did, I would have already invented them. But I think they'll be comparable to the innovations we saw in the past 20, 25 years if not greater.
I approach every film I do in the same way, whether it's an action film or not an action film. I guess if a certain physicality lends itself to action, but I started acting before I reached puberty. I was 7 years old when I started acting. It wasn't until I became a bouncer in New York.
And I'm hoping that over the next 20, 50 years, whatever, the mystique of television and film and all that will diminish somewhat, and people will leave us alone to get on with our jobs.
I'm hoping that these next 20 years will show what we did 20 years ago in sequencing the first human genome, was the beginning of the health revolution that will have more positive impact in people's lives than any other health event in history.
Though I am born into a film family, I hardly had much exposure to shooting during my growing years. My first film actually taught me about the breakdown of shots in a film. My aim is to do three memorable roles in the next five years; films I can be really proud of. And I want to work with the best.
I just would like to keep going. If I kept getting the kind of work that I've been getting for the last 20 years for the next 20, I'd be a bloody Dame of the British Empire. I'd be so happy.
I wanted to be a playwright in college. That's what I was interested in and that's what I was moving toward, and then I had the lucky accident of falling in love with film. I was 19 or 20 that I realized films are made by people. Shooting digitally became cheaper and better. You couldn't make something that looked like a Hollywood film, but you could make something through which you could work out ideas. I was acting, but I was also conceiving the plots and operating the camera when I wasn't onscreen. I got very unvain about film acting, and it became a sort of graduate school for me.
In the first 20 years of my acting life, I did not do any acting. All I did was to wear a jersey, dance, lip-sync to songs, and run after girls over mountains and in the snow.
I played crying people in corsets for a long time, but I went into acting to be a character actor.
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