A Quote by Keira Knightley

I totally agree. I hate knowing too much when I'm going to the cinema and watching as a viewer. I don't want to know that the actor has just gone through a divorce. I don't want to know that the person is an alcoholic. It just gets in the way of my pleasure of watching the character on the screen.
When I take on a character, it's a sacrifice. There's something that you give up every time. I want to become these characters, and I want to be mysterious, but if you know too much about me, it's not going to be too much fun watching me play a character, because it's just going to be me with a mask on, instead of you believing what the mask is.
...If there’s a God, there are plenty of people who know where he is.” I shrugged, still watching the sky. ... “I just want to know that he’s there, so that I can die knowing there’s going to be someone I can punch in the mouth on the other end.
I've learnt and I just want to be respected for what I've achieved on the pitch. I know I haven't achieved much off it but I do know I've given pleasure to people watching me play football over the years.
Soon, the viewer won't even know if he's watching on broadcast or the Internet. He'll just be eating his cereal and see an image on the spoon. That's how we'll be watching soon, on spoons. The commercials will be on the knives.
I think just having everybody know who you are is more of a challenge. More than anything about it is just knowing people are watching. I know who I am, so it's watching things I say, what I do. Even if I'm in line at one of the rest stops or something, it's just being on my Ps and Qs at all times more than anything.
We are a people that let the small things just go by because it's a little uncomfortable and nobody wants to ruffle a feather. If you're quiet and you're watching it, you're just as much at fault as the person there. You're watching a victim be berated and you're standing by, knowing that feeling in your gut that it's wrong. Now you have a tool in order to change that.
As an actor, you don't want to know the beginning and end to your character's arc. It makes it more fun. You're not playing the end. You're playing it realistically. You don't know where this character is going to go and what's going to happen to him, which just makes it more interesting for the viewers to watch. They're going on the journey with you, as the actor and the character.
As an actor you have to bring to the table your creative input. But when a director like Ridley Scott says I want you to do this this way, you know when he gets to the editing room he has a reason for it. It's like watching a masterpiece.
As an actor you have to bring to the table your creative input. But when a director like Ridley Scott says I want you to do this this way, you know when he gets to the editing room he has a reason for it. Its like watching a masterpiece.
Personally, I don't like to talk too much to the actors about the camera choices because I feel like the way I want them to perform is as if it feels very rooted in the real world and that I'm essentially stepping back and just watching and hoping they feel safe with me watching.
It is true that social media, nowadays, is important, but I don't understand everyone needing to know everything about an artist or an actor because it loses the intrigue and mystery. And then, when you're watching them as a character, you can't watching them as a character. You can only watch them as the public figure that they have presented themselves to be. I hate when people say, "Well, that's what you signed up for. That's how it is." No its not. That's not what you signed up for.
My sense of cinema improved slowly as I started watching South cinema, got to know that cinema is much appreciated here.
I'm watching some television tonight. I'm watching The Discovery Channel. You know, this channel, you never ever plan on watching this. It just happens. You're flickin' around, all of a sudden - boom - you're watching a mole for an hour-and-a-half.
I don't like movies that are shot on green screen much, you know. I mean, I know that's the thing to do, and I know that it's getting. I'll put it this way; David Lean would probably kill himself, you know, again if he knew that people were watching Lawrence of Arabia on a telephone.
I don't really look at stats or whatever. You see them on the big screen. But other than that, I don't pay too much attention to it. I did know about my dad's home run total. Other than that, I don't like to know. It's pointless. Whether you know or don't know, you don't want to think about it. You just want to go out and play the game.
My favourite way of watching the cinema is the biggest possible cinema you can find, with the biggest possible screen, and the loudest possible Dolby - but just me. Nobody else.
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