A Quote by Keira Knightley

It's fantastic to have the opportunity to work abroad, and do all that, but there is a certain point where you're just like, 'Oh, I'd love to work at home.' — © Keira Knightley
It's fantastic to have the opportunity to work abroad, and do all that, but there is a certain point where you're just like, 'Oh, I'd love to work at home.'
It's not just about going to play football abroad: it's a chance to live and work in a fantastic city like Barcelona.
Sometimes you just work, you work, you work, and you have no life, no boyfriend, you have no more friends, no more nothing, you just make movies, and you're tired, and you don't know why. Then everybody says, 'Oh you are so lucky, you are working!' And you're like, 'Oh yeah, oh yeah, it's so great!'
I really just like making music. People call that 'work.' Like, 'Oh, you're going to the studio to work?' No, that's even what I do in my off day. I love recording.
For me, when I have the opportunity to exhibit abroad, I feel that the public understands some points I have raised and are open-minded and make an effort to understand my work, but there are still certain things that remain inaccessible.
I like to have fun at work. It's okay if I don't. I've had that a few times. But generally, I'm someone who has a lot of fun at work, because I like my job. I think it's a fantastic job, at least that part of it is a fantastic job. And I like to have fun, and I personally feel that whether you're talking about the cast or the crew or the director or any combination thereof, that when people feel involved and comfortable and they feel like their work is being supported, that's the best environment to do good work.
Acting is always more fun for me.I love being a part of a story, I love collaborating, I love working with different directors. If I just directed more and more, it would lessen the opportunity to work with all these big directors that I've had the opportunity to work with.
I'm writing, I'm directing, I'm editing, I'm mixing, I'm showrunning. There is a certain point where it's like, the work is the work.
There isn't a lot of work in Australia. I think that's why everyone comes over to America to find jobs and pilots and things, because there's not enough work to justify staying there, unfortunately. Like, I wish there was. I would love to stay home and be working with my family around the corner, but the work just isn't there.
As the director, to have the opportunity to work with actors of the calibre of David Oyelewo is just fantastic and special.
People are born in a certain place, and in a certain society. I don't mean to sound like a determinist, but to think we're entirely free to do whatever we want betrays a certain class perspective. For most people who have to work for a living, and work at jobs under conditions they may not like, it's just not simple when it comes to freedom.
I've always just focused on the work, and I've just tried to be honest with the work. If the work speaks to people, fantastic.
At a certain point, if you work really hard and you get good and people like your work, you do deserve the fame - but you shouldn't take it for granted.
When I see friends of mine break up and they're like, "Oh, we still really love each other, but we just couldn't make it work," I don't get that. I don't understand what that means. Make it work.
Certain people just go home and veg out, certain people go travel the world and certain people are like, "Screw this, I'm going to work the entire time."
I think when you get the opportunity to work with someone like Lars Von Trier... I mean, Alexander Skarsgård, Charlotte Rampling, John Hurt, just to work with those actors, you take that opportunity when you get it.
The opportunity to work with women who are at the top of my list of people I'd want to work with and who are my favorite women to watch on screen, was fantastic.
This site uses cookies to ensure you get the best experience. More info...
Got it!