A Quote by Keisha Castle-Hughes

It feels kind of strange knowing that I rule the whole planet of Naboo and I'm only thirteen. At first, my face—because it was really white—was a bit of a shock. But when the whole costume was put together and the headdress was put on, I really felt proud, like a Queen.
I wanted to create a believable feeling for 18th Century reality in the Perfume: The Story Of A Murderer. I didn't want this typical film feel of strange people in strange costumes, not really knowing what to do or how to move. If you put an 18th Century costume on Alan Rickman, it looks like he's been wearing it forever because he inhabits the stuff. He is a character that can really travel in time as an actor and transform into this 18th Century person with seemingly no effort.
Being in South Africa, that messed up my body a little bit. I broke out in spots, and I got really dehydrated, and the water was really different. It was really strange, because you're on the other side of the planet, and you think, 'Oh, water is the same everywhere,' and it is, but it still felt strange.
When I put on my first Man Utd training kit, it felt enormous in a way that was really special in kind of like a childhood dream type way. Obviously, we don't have that history in the U.S., so to be able to put on a shirt like that as an American was really special.
I think for a lot of artists, if you're lucky enough to have a kind of career, especially toward the end, you start to think about what the whole ensemble looks like. It's the whole that counts. The parts are given, but you don't know how the whole thing's going to look when it's all put together.
Back in the day as a kid, I was really drawn to the Hulk because it just felt so human and was probably one of the first stories that I felt emotionally invested in and not just thought it was really cool. You really feel for that person and put yourself in that situation.
I wasn't doing it to shock anybody or to be rebellious or to get attention making "Heart-Shaped Glasses" with Marilyn Manson. I was more proud of that than anything because it took a lot of strength and bravery to put myself out there like that. It was a risk. I'm glad that I did it because usually the best things I've done have come from the biggest risks. Thirteen was a risk and that was amazing.
This record for the first time - feels like a record that really represents my whole entire life and instead of just a period of my life. And it is really kind of eye opening and it makes me feel really good to hear this record and hear all the years.
I don't really use any face products anymore because they make me break out. I like natural remedies. I usually put honey on my face. Sometimes, I put sugar in it so it's an exfoliant, too. I add raw coconut oil, which is good as a face wash and a moisturizer.
I think I have patient fans that want quality over quantity. It's more important to me that the project be the best that it can be and the realest it can be rather than rushing a whole bunch of generic songs, because I could do that. I could just put together some songs real quick that I really like. I only write and I only sing for a purpose, so if its not then, it's not going to be rushed.
People know me because I play the monsters, but I'm most recognized from the small roles in which they see my face. None of that stuff really bothers me. Whether I'm recognized in or out of a costume isn't a kind of pressure I put myself through anymore.
In climbing, being first-rate is part of the whole enterprise. The important climbers want to be the first man up the mountain, the one who put up the first route. You're usually only remembered if you put up the first route on a very important climb. The route might even be named after you. That's a kind of glory.
I put my friends and family first. I'm really just a normal thirteen-year-old girl who has a different hobby than most girls my age. Acting is kind of an extracurricular activity.
I'm really proud and happy that we finally got it together thanks to Tweeterhead, which is the company that put it together for me. It's something that I always wanted to do, but really did not have the time to work on myself
I really think it's just the people you put around you. For instance, you mentioned "Kiss Goodbye," that was a song that was brought to me by Dan Couch and Dale Oliver. They had already started writing it without. They had put together this whole demo of music with no lyrics.
Things that break - be they bones, hearts, or promises - can be put back together but will never really be whole.
I'm really interested in the United States, what it means to be American - maybe because my father's an immigrant and my grandparents were immigrants, and also because I grew up so isolated from mainstream life, and it was such a total shock to leave the commune and, in a way, enter America for the first time when I was eleven - so I've always felt a little like an anthropologist - like, what is this strange place I find myself in, what are the rules here?
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