A Quote by Keith Ablow

Plenty of people who survive tragedies end up ambivalent about danger--frightened by it, yet strangely drawn to it. — © Keith Ablow
Plenty of people who survive tragedies end up ambivalent about danger--frightened by it, yet strangely drawn to it.
I'm drawn to a lot of tragedies, and I love a Greek tragedy.But I would think - I start thinking realistically about it, and performing eight days a week, that would take a toll. I take things to heart. I don't know if I could survive, like, "Medea."
In the end, we are only tiny frightened animals, doing our best to survive amid other tiny frightened animals.
I think it's still difficult to write about motherhood and anxiety, that talking about not wanting to be a mother or feeling ambivalent about motherhood makes people uneasy. The ambivalent mother is certainly much more interesting.
If you become so frightened of realities that are not your own, if you take upon yourselves tragedies that do not exist in your reality, in your moment, then you weaken your position and weaken the position, of those you think you are helping. You look about you and you see only hopelessness and helplessness. You organize your reality according to the tragedies of the newspapers!
I'm drawn to scenes in movies where you just see characters turning off lights in a room or putting the groceries away; it's like, 'I understand that.' We all have to get ready for bed, and we all do it in a different way, and yet it's all strangely familiar and strangely human.
You have plenty of courage, I am sure," answered Oz. "All you need is confidence in yourself. There is no living thing that is not afraid when it faces danger. The true courage is in facing danger when you are afraid, and that kind of courage you have in plenty.
There is no crime greater, or more worthy of punishment, than being strange and frightened among the strange and frightened; except assimilation to the end of becoming strange and frightened, but apart from ones own real self.
I am ambivalent about London because I am so ambivalent about England in general.
I only really woke up in India. It was my first experience of plenty, strangely enough, because everything in England was rationed. I loved sweets, but you couldn't get them; then there was this marvelous mitthai - I went crazy.
Death doesn't exist. It never did, it never will. But we've drawn so many pictures of it, so many years, trying to pin it down, comprehend it, we've got to thinking of it as an entity, strangely alive and greedy. All it is, however, is a stopped watch, a loss, an end, a darkness. Nothing.
I think a lot of people are frightened of technology and frightened of change, and the way to deal with something you're frightened of is to make fun of it. That's why science fiction fans are dismissed as geeks and nerds.
There was something I was always very good at, however, and that was teaching myself not to be frightened while frightening things are going on. It is difficult to do this, but I had learned. It is simply a matter of putting one’s fear aside, like the vegetable on the plate you don’t want to touch until all of your rice and chicken are gone, and getting frightened later, when one is out of danger. Sometimes I imagine I will be frightened for the rest of my life because of all of the fear I put aside during my time in Stain’d-by-the-Sea.
For me, one of the great tragedies is the conclusion studios have drawn about traditional animation. I believe that 2D animation could be just as vital as it ever was. I think the problem has been with the stories.
There is small danger of being starved in our land of plenty; but the danger of being stuffed is imminent.
Customers are willing to try new things, and if you can survive, you will have fewer competitors. It's like entering the eye of the storm. As long as you are strong enough to survive, you can end up in still water by yourself.
You need to find people that are drawn to the idea that you build, and they end up taking it and making it even better.
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