A Quote by Keith Allen
I'd done performance art sporadically from about 1976 - very personal street things on my own. Acting seemed like a natural step from that. But I didn't really want to 'be' anything: presenter, comic, actor. I just wanted to perform.
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I think one of the things that might distinguish me is when I'm going to work as an actor I really try not to worry about my own personal hang-ups and just really concentrate on the work. Because I have such a respect for acting, which is something I feel like I'm constantly learning how to do, that all of my energy is always focused on the acting itself.
I was so in love with books from as early as I remember that it seemed a natural step to want to create them. And so I just wanted to be a writer from a very young age. And I think that the lies were just a natural side effect of me wanting to tell stories and write them down.
With acting, I'm taking somebody else's work and interpreting it. Whereas with music, it's organic. It's completely myself. Nobody else is really involved with the beginning stages of it. Art is something that I haven't really put out to the public. There's a couple pictures on MySpace, but I haven't done a gallery opening or anything like that. Art is very personal to me. I haven't really shared it with too many people.
I'm interested in confronting police brutality and police abuse of cracking down on street performers and street artists, but also in valorizing street art as legitimate performance within the artistic sphere, where it's so often conflated with pan-handling and begging and not "successful" art. I want to change laws around street performance.
I was working more on a primal, instinctive level. And it just seemed to suit me; it seemed to suit my concentration span, it seemed to suit my personal style of performance, and I have fallen in love with film acting.
It's really up to the acting community to be willing to be educated about what performance capture is in order to fully appreciate it as acting. It's not a type of acting, but rather the use of technology to harness an actor's performance and translate it into an ape, another animal, or an avatar of some kind.
When I was a kid, I wanted to be serious, like Daniel Day-Lewis. No one really dreams of being a comic actor, do they? Now I realise how stupid that is - and it's because comic acting isn't taken seriously enough. It's a discipline. You know instantly - either you're funny and getting the laughs, or you're not.
As an actor, you just want to work, and then you just want to be on a show or have a job that you love, and you hope that job will last - those things have happened. To have that platform to then talk about something that is very personal to me like marriage equality, it feels like a gift. I try and really respect that voice and not abuse it.
I wanted to be an actor. Maybe a comic actor, but an actor. That's what got me into acting was putting on an act, because in life, I wasn't funny and I felt on stage or in the movies, I could do whatever I wanted to. I was free.
I think as soon as I figured out - and this must have been incredibly young - that comic books were made by humans, rather than being natural phenomenon likes trees or rocks, I just wanted to be one of the people who did that. So I was copying all kinds of cartoons that I was reading, comic books, and eventually learned how to draw cartoon books step-by-step and just, I don't know, I'm not an especially quick learner, but I sure was a dedicated one.
Right now anything made for the iPad is like performance art. I'm not interested in performance art. Comics are too hard to make to be done for such a passing blip. When it stabilizes, I'll look at it.
As a child, acting just seemed like a natural extension of my love of play - and if you've forgotten how to play, you shouldn't be an actor.
I don't know what its like for most actors, but really clearly for myself acting has always been the fulfillment of personal fantasies. It isn't just art, its about being a person I've always wanted to be, or being in a situation, or being a hero.
I don't know what its like for most actors, but really clearly for myself acting has always been the fulfilment of personal fantasies. It isn't just art, its about being a person I've always wanted to be, or being in a situation, or being a hero.
I started classes and it wasn't because I was like, 'I want to be an actor!' - I was really interested in the theory of what acting can be and what it's about. It's all about living in the moment and kind of being present, which is something that at that time in my life I really wanted to explore.
I really just enjoy listening to talk [to John Hurt and Charlotte Rampling]... not even about acting or anything. It's interesting because I felt really connected to all these people very easily. They're all very open emotionally, like we're in the scene together, so you never feel like anyone's acting.
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