A Quote by Keith Barry

My first TV show was 2003. You wouldn't be in the game this long if you were using stooges and actors and all that kind of stuff; quite honestly, the answer is we don't need them.
Acting itself is quite scary. Some people say that actors are show-offs, very egotistical and all that kind of stuff, but it is quite scary.
The Stooges used to be ubiquitous, back in the '60s and '70s. They were on TV all the time, but they're not on so much anymore. Kids aren't getting the chance to watch them, not to mention the fact that kids don't really necessarily relate to black-and-white stuff.
'The Stooges' used to be ubiquitous, back in the '60s and '70s. They were on TV all the time, but they're not on so much anymore. Kids aren't getting the chance to watch them, not to mention the fact that kids don't really necessarily relate to black-and-white stuff.
At the end of 2003, my game was complete. Shooting, defense, using the dribble, transition, midrange stuff was all there. Then it was about fine-tuning and trying to improve in each area.
Those of us involved in TV have a habit of using the word 'landmark' a bit too readily. I have been involved in a couple of television projects that, while we were making them, felt quite landmark-ish, but that in retrospect were just good TV.
In 2003, when I wrote the first 'Dhoom,' we were at the end of the curve of a certain kind of Hindi film, which was quite plastic. 'Dhoom' was unconventional then.
I was at the National Film School and was a cinematographer there. I got quite a lot of experience on documentary film-making and with directors who were interesting - maybe they weren't using scripts or were using non-actors.
The last TV show I binged on was 'Hannibal' because it stars two of my friends, Mads Mikkelsen and Hugh Dancy, who I first met filming 'King Arthur' back in 2003, and I just lapped this show up; loved it.
The Taboo scene was a kind of deconstructed version of the New Romantics. The Taboo crowd was using a lot of the visual ideas that had already been used. I remember the first time I spotted Leigh Bowery and Trojan parading around in clubs: They were in their "Pakis from Outer Space" look, and the makeup was quite similar to one of my old looks, because I was quite fond of wearing blue, green, or yellow foundation, and so I was pretty dismissive of them at first.
Stuff that happens to you in your life when you're shooting a TV show, you have to be careful, because it might end up in the show. And that's what I think is the neat thing about TV: how alive it is, and how the writers respond to the stimulus that they're getting from the actual actors. Whereas a movie is more hermetically sealed.
I thought 'Back To You' was a good show. The writers' strike really kind of put an end to that, though, honestly. There were a couple of factors involved, but to start a show and then to have it disappear and not come back for that long... it's just bad form.
If I were to ask you who the first million-pound show winner was on British TV, you'd probably go for Judith Keppel. She was, indeed, the first 'Who Wants To Be A Millionaire' contestant to win £1 million, but the first one on TV was actually Clare Barwick, who won £1 million on Chris Evans' show 'TFI Friday.'
The crossover wasn't happening. TV actors were TV actors, and film and stage actors were a whole different thing. And now there's just a lot of crossover.
Obviously Mad TV, SNL are one kind of show, whereas The State belongs to the kind of show that is entirely conceived written and performed by a set group that existed before the TV show.
Often you find actors have big hearts; they're quite emotional people. Talking to actors who date other actors, and talking to people who deal with other actors, they often get emotionally caught up in lots of different things. They often wear their hearts on their sleeves. They feel things quite a lot - often to the nth degree, which I can imagine could make it quite difficult to date some of us. I think it's about having an emotional availability that you can kind of draw on. But I'm also searching for that. I'll be searching for the answer to that question for the rest of my life.
I essentially have always directed everything on my TV show without using that title; I edited and wrote all my stuff.
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