A Quote by Keith Carradine
Walter [Hill] basically brought me into that ["Wild Bill Hickok"], and it was one of the great experiences. It was extraordinary stuff. He wrote this kind of American Shakespeare. But I played my part for four episodes, and the rest is history!
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I mean, it was a rough place ["Wild Bill Hickok"], and you had to wear this kind of cloak that you were a badass, and the most efficient way to do that was with your language. Swearing was just a part of how you got by during the day, and it was quite historically accurate, that depiction.
I was actually filming in Atlanta when I got a call from Walter Hill saying, "Well, it could be your turn to play Hickok." I said, "Oh, well, great!" He said, "What's your hair look like?" I said, "Well, it's short, Walter, but... I've still got that wig!" . He said, "Well, bring it!"
Richard Nixon had a kind of Walter Mitty fantasy life. He was a man with a grandiose thoughts: dreams of not simply being president but maybe becoming one of the truly great presidents of American history.
Ron Moore. He was the guy that on our show and Deep Space Nine wrote the best Klingon episodes. He wrote great episodes in general but he wrote the best Klingon episodes. I always could tell when he was going to write a Klingon episode because he was able to grow a beard really quick and I’d see him with the beard, like a Worf-beard, and I go "Ah, Klingon episode coming up!" and he goes "Oh yeah."
I'm a big fan of the 70's action films. Where there is a lot of character and a lot of great action, but the action is kind of cemented with a great back-story with characters. And I thought, this kind of reminded me of the movies that, early on when I was telling Dwayne (Johnson) and the guys, the producer... my whole thing is if you look at a movie like The Driver by Walter Hill, it's a film where there's no names. They are just named, "the driver", "the cop".
My scripts, they're pretty serious. I basically just describe stuff. I don't put too many notes and letters to the editors. But when I wrote 'KGBLT,' in parentheses I wrote, 'Well this is the best thing I've ever written. It will all be downhill from here. I'm so sorry for the rest of my career.'
I wouldn't call it ["Wild Bill Hickok"] an urban legend, but I guess I'd call it a rural legend that the cowboy was always soft-spoken, mild-spoken, well-mannered.
I watched 'Freaks and Geeks,' and I was like, 'Oh, if you write about your own personal experiences, and if you're specific about it both in what happened and how you felt about it, it can make for scenes that are really compelling.' For the rest of college, I was basically ripping off 'Freaks and Geeks' with plays I wrote and stuff like that.
Was there ever such stuff as great as part of Shakespeare? Only one must not say so! But what think you? - What? - Is there not sad stuff? What? - What?
Most people know me from 'The Office,' where I played a guy who grunted out three or four words an episode and was kind of a knucklehead, and so I think it's surprising for people to see me do something like this. But Shakespeare is what I grew up wanting to do.
When you are brought up as a frozen child, you go on freezing. It wasn't until I had my four sons, who have brought me immense joy, that I began to thaw. That I realised how utterly extraordinary my childhood was.
I was brought up playing games and still do ferociously. I once played Connect Four on set with Bill Nighy and Richard E. Grant for so long that the assistant director got cross.
Tony Kaye is great with that kind of stuff. Up until American History X, he had only done commercials.
I think working on Shakespeare was a big part of my time at drama school. I'm so glad that I got to know Shakespeare and got a chance to play great parts in Shakespeare, because it really teaches you - or taught me, anyway - everything.
There are no words to express the extraordinary strength and character of this breed of people we call American. They are the kind of men and women Tom Paine had in mind when he wrote, during the darkest days of the American Revolution, we have it in our power to begin the world over again.
Well, Bill [Bill Hickok] was a pretty good shot. But he could not shoot as quick as half a dozen men we all knew in those days, nor as straight either. But Bill was cool, and the men who he went up against were rattled, I guess. Bill beat them to it. He made up his mind to kill the other man before the other man had finished thinking.
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