A Quote by Keith Carradine
[Mel Gibson] had just directed The Passion [Of The Christ], and it had just been released as we started production on Complete Savages. But I have to say, nobody ever talked about it, and he never brought any of that to work. He was just delightful, and I had a great time.
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I'm very proud of being persona non grata. I've never been that before in my life, and that suits me extremely wellI'm known for provocations, but I like provocations when they have a purpose. And this had no purpose whatsoever. Because I'm not Mel Gibson. I'm definitely not Mel Gibson.
Eisenhower had about the most expressive face I ever painted, I guess. Just like an actor's. Very mobile. When he talked, he used all the facial muscles. And he had a great, wide mouth that I liked. When he smiled, it was just like the sun came out.
Have you ever noticed that Jesus is never recorded as taking a holiday? He retired for the purposes of his mission, not from it. He was never destroyed by his work; he was always on top of it. He moved among people as the master of every situation. He was busier than anyone; the multitudes were always at him, yet he had time, for everything and everyone. He was never hurried, or harassed, or too busy. He had complete supremacy over time; he never let it dictate to him. He talked of my time; my hour. He knew exactly when the moment had come for doing something and when it had not.
I would definitely say Zombie has been the best time I've ever had. It is just so great and so fun because, you know, we all get along so well, and, you know, it's just like, everybody, we're just all friends here, and we're just having a really, really, really great time.
My contract with mercury PolyGram Nashville was about to expire. And I never had really been happy. The company, the record company, just didn't put any promotion behind me. I think one album, maybe the last one I did, they pressed 500 copies. And I was just disgusted with it. And about that time that I got to feeling that way, Lou Robin, my manager, came to me and talked to me about a man called Rick Rubin that he had been talking to that wanted me to sign with his record company.
Unnamed entertainment industry moguls are now telling the New York Times that they intend never to work with Mel Gibson again. After all, how dare Mel Gibson challenge the public by producing a film that spurs public discussion, that pushes the envelope, that takes an old story to a new level. How dare Mel Gibson follow his own passion as a filmmaker. How dare he make $20 million on the opening day box office!
I've been singing properly every day since I was about fifteen or sixteen, and I have never had any problems with my voice, ever. I've had a sore throat here and there, had a cold and sung through it, but that day it just went while I was onstage in Paris during a radio show. It was literally like someone had pulled a curtain over it.
By the time 'Abdullah' released, I had already been offered three roles. Word about me just spread. I started getting calls directly from producers and directors.
Remember I came to Albuquerque to do a hair and makeup test and wardrobe fitting; you guys were already shooting. It's tough when the movie's already started and you kind of show up. You're the new kid on the block. I walked onto the set and Tommy [Lee Jones] was about to do the scene. I just kind of walked up to him. I was shaking, but I just gave him this big hug and he just had nothing to say. He was like, 'Gotta go to work now.' I had a great time working with him."
I had wanted to be a writer for a very long time, and I had started a lot of books and failed to finish them. I had this terrible pattern of beginning manuscripts and then just losing steam, and I had begun to believe that I just didn't have it in me.
I recognized him then; that is, I finally comprehended what I had known but had never been able to formulate: he had always been complete. He had finished the work of becoming himself, long before any of us could even imagine such a feat was possible.
To sum it all up: It was a great picture to do; I just wish it had never been released.
I'm a product of state schools. I had a working-class family. We had no books. I was the first to go to college. But I didn't really think about it, or about making money. I was just going to be an artist, and I've been fortunate. I've never had to work for anybody nor have I had to write for money. Maybe that's another reason that I've been able to be productive. I haven't had to use my writing to make a living.
I remember [Joe] Lovano came around to me at that time [of Monk competition]. And I had taken some lessons with Joe and I had seen Joe on the scene. He had always been so great to me, such and inspiration and so kind. One lesson that I had with Joe was just amazing. I'm just such a fan and an admirer of his on every level. He was like, "Don't worry... you're just out here. You just do what you're doing. Don't worry if it doesn't make you a household name or anything."
The abuse was just routine. I didn't wake up the next day and say, 'Dre, why did you hit me?' We never talked about it the next day. Never. I can't think of any time we had a discussion about the aftermath of what happened the night before.
I had always sort of done dramatic things, and I love them; it's my background. But when I think about 'Fresh Meat,' I just think about the cast and the crew that we had... we just had a great time.
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