A Quote by Keith Carradine
I mean, it was a rough place ["Wild Bill Hickok"], and you had to wear this kind of cloak that you were a badass, and the most efficient way to do that was with your language. Swearing was just a part of how you got by during the day, and it was quite historically accurate, that depiction.
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Walter [Hill] basically brought me into that ["Wild Bill Hickok"], and it was one of the great experiences. It was extraordinary stuff. He wrote this kind of American Shakespeare. But I played my part for four episodes, and the rest is history!
I can remember how I sang - a little more nasal-y back then. Listening to those old recordings is like seeing a photograph of yourself from 10 years ago. You're wearing what you thought looked cool at the time. You had your hair styled the particular way you thought looked cool. It's an accurate depiction of who you were and what you looked and sounded like at that point in your life. It doesn't necessarily mean that it aged in a way that it feels as cool or sounds as good to you, or says what you thought it said, 10 years later. That's just the nature of growing older.
I was talking to Shonda Rhimes the other day and I said, "I. Do. Not. Know. How. You. Do. This." While we're writing episode 10, episode 6 is shooting, episode 3 is in the edit, and episode 2 is in its color session...You've got seven episodes in different parts! It's a wild, wild, wild ride, which I thoroughly enjoyed. It was badass and amazing.
I feel as if dystopian and utopian representations are historically the most effective way of criticizing modern society. You know, because you don't have to be factually accurate. You can kind of construct some awesome strawman arguments in your fictional world.
I recently spent quite a bit of time in Sheffield, England, which is where I'm from. I wouldn't move back there, but it's funny when you spend a bit of time in the place where you were brought up. You kind of realize how that place has had quite a big effect on you or made you a certain way.
Well, Bill [Bill Hickok] was a pretty good shot. But he could not shoot as quick as half a dozen men we all knew in those days, nor as straight either. But Bill was cool, and the men who he went up against were rattled, I guess. Bill beat them to it. He made up his mind to kill the other man before the other man had finished thinking.
The point of the first one was that it was about guys being lured by sex and the stereotypes... I always say it's like a horror version of Borat. Borat's not an accurate depiction of Khazakstan, it's an accurate depiction of America. That's what Hostel is.
But I'd say 'How to Make It in America' is the most accurate depiction of the New York hipster community on television for sure.
I mean, when I got to Brown, the place was riven, because you had older professors who were basically new critics and had been teaching a certain way for 30 years. And then you had this other gang who was down with the semiotic program. And as a student, you were, in a way, forced to choose which cohort you were going with.
When I was just five years old, I loved the scary layer and the symbolical power of the red cloak. I made my mom make me that red cloak, and I had to wear it on Halloween, two years in a row.
People ask 'do you make a conscious effort not to swear?' - if you're doing silly stuff you're not tempted to put swearing in. All the comics from my childhood, who were funny without swearing, were the people that influenced me. What I do is quite traditional anyway.
I wouldn't call it ["Wild Bill Hickok"] an urban legend, but I guess I'd call it a rural legend that the cowboy was always soft-spoken, mild-spoken, well-mannered.
Ever since I was a kid I just thought that women had the better outfits, women had the better hair, women got to wear makeup. I just got jealous of what women got to do onstage. You dress up a man and ultimately it's just a different variation on the same kind of suit. There's a whole wide world of what women wear onstage.
Wild Bill was a strange character, add to this figure a costume blending the immaculate neatness of the dandy with the extravagant taste and style of a frontiersman, you have Wild Bill, the most famous scout on the Plains.
Well, growing up in LA, things are kind of thrust in front of you. You're almost forced to grow up pretty fast, with experiences and stuff. Going to that school there were a lot of rich girls, a lot of partying, a lot of wild things. You're put in this environment where you're forced to wear a uniform. It was all girls, so you rebel naturally, I think. I don't know, I just kind of got inspiration from every day living and going to school.
Some people mistake grit for sheer persistence - charging up the same hill again and again. But that's not quite what I mean by the word 'grit.' You want to minimize friction and find the most effective, most efficient way forward. You might actually have more grit if you treat your energy as a precious commodity.
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