A Quote by Keith Carradine
I mean, it [Southern Comfort] is basically a story about the folly of our misadventure into that war, done in the context of these National Guard weekend warriors who wander into a world about which they know nothing and then wind up wreaking havoc on themselves.
Related Quotes
The White House released documents it claims validates the president's (National Guard) service ... When deciphered the documents showed that in a one-year period, 1972 and 1973, Bush received credit for nine days of active National Guard service. The traditional term of service then and now for the National Guard is one weekend a month and two full weeks a year, meaning that Bush's nine-day stint qualifies him only for the National Guard's National Guard. That's the National Guard's National Guard, an Army of None.
Job found contentment and even joy, outside the context of comfort, health or stability. He understood the story was not about him, and he cared more about the story then he did about himself.
If we do nothing, the ensuing climate catastrophe will wreck our economy - including wreaking havoc on our food production systems. All credible scientists agree on this point.
Winter is the time for comfort, for good food and warmth, for the touch of a friendly hand and for a talk beside the fire: it is the time for home. It is no season in which to wander the world as if one were the wind blowing aimlessly along the streets without a place to rest, without food, and without time meaning anything to one, just as time means nothing to the wind.
We know nothing about Africa, although our roots are there in terms of our forbearers. But I mean as far as the average Negro today, he knows nothing about Africa. And I think he's got to face the fact that he is an American, his culture is basically American, and one becomes adjusted to this when he realizes what, what he is.
When a Cat adopts you, and I am not superstitious at all I don't mean only Black cats there is nothing to be done about it except to put up with it and wait until the wind changes.
The thing about games is, players often say they don't care about story, but then if you took the story out, what would their reaction be? If no one cared about story, we'd all still be playing Pac-Man. There's nothing wrong with Pac-Man, but the point is, there's a genre of games in which you want to become part of that world.
Infuriatingly stupid analysts - especially people who called themselves Arabists, yet who seemed to know next to nothing about the reality of the Islamic world - wrote reams of commentary [after 9/11]. Their articles were all about Islam saving Aristotle and the zero, which medieval Muslim scholars had done more than eight hundred years ago; about Islam being a religion of peace and tolerance, not the slightest bit violent. These were fairy tales, nothing to do with the real world I knew.
The havoc wrought by war, which one compares with the havoc wrought by nature, is not an unavoidable fate before which man stands helpless. The natural forces that are the cause of war are human passions, which it lies in our power to change. What are culture and civilization if not the taming of blind forces within us as well as in nature?
I don't do all the background and the worldbuilding before I start the story. What I do is I work out the bare minimum I need to start the story, and often that really is a bare minimum - it's a character in a situation, and I know nothing about the character, I know nothing about the situation, and then I think about it for a long time, and make notes about where I think the story is going to go and so on, but I don't really make notes to do with the background or the magic system or the world.
Thinking about making a love story without music was really frightening, Sciamma admitted. Because every love story we know, we think about 'Titanic' we think about the music, we think about 'Gone with the Wind' we think about the music, we think about 'E.T.' we think about the music, and every love story has its own tune, 'That's our song.'
I think a lot of people, including me, clammed up when a civilian asked about battle, about war. It was fashionable. One of the most impressive ways to tell your war story is to refuse to tell it, you know. Civilians would then have to imagine all kinds of deeds of derring-do.
I can't say enough about the tremendous work the Missouri National Guard has done as part of our military efforts in Afghanistan, Iraq and other countries.
Our National Guard, as I think everybody knows, has provided about 40 percent of the boots on the ground in Iraq and in the conflict against Islamofascism. They went into that battle, being called up for their national security service, short of equipment.
In addition to wreaking havoc on our bodies, anger close our inner door, making us feel isolated and distrustful, hindering communication.
We made 'The Wind That Shakes the Barley' about the war of independence and the civil war, which were the pivotal moments of Irish history, really. 'Jimmy's Hall' would seem to be a smaller story 10 years later.
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