A Quote by Keith Ellison
When I hear about these terrorist ideologies, they are completely foreign and strange to me. I mean, to me, it's, like, antithetical.
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I started playing guitar, like, when I was 17 or so, but where I'm from, you just don't hear about people moving to Nashville and making it. It was such a foreign thing to me. I never knew music was an option for me.
Iraq is a strange country. Where else can American civilians like me be protected by terrorist human shields?
You won't hear me talk about my politics, you won't hear me talk about my vegetarianism, you won't hear me comment on the Iraq war. You'll only hear me talk about being gay and being an actor. I am just public on those two issues.
You know, writer can write about the Foreign Legion without ever having been in the Foreign Legion, but that doesn't necessarily mean that what he's written doesn't necessarily reflect the nature of him as an individual - or her. Using the male gender because it's me speaking. I don't mean to put down the female.
I don't know enough about the lower classes to write about them. I don't feel with them, and that could be regarded as a defect, a limitation of my imagination. I could put myself in their position, but not politically. The idea of writing a story or a book about somebody completely devoid of appreciation of anything I care about is completely foreign to me.
Its very strange that you condemn me as a terrorist at the same time as you call on me to help you combat terrorism in Iraq and elsewhere. It doesnt make sense!
If it [a country] looks like a terrorist, if it acts like a terrorist, if it walks like a terrorist, if it fights like a terrorist, it's a terrorist, right?
I always try to write about something that's actually happened or it doesn't always have to have happened to me, but it has to have happened at some point. So every single lyric that you hear comes from some kind of story that I've come across in my life. I like to think that that maybe helps me mean it a bit more and if you don't mean it, it ceases to be soul music.
My ideal type of women? A person who is completely into me. It's fine even if she's so into me that it's a bit strange. She doesn't spend time with friends, she doesn't go out, but instead is unconditionally attached to me. I'm not joking. I really want someone like that.
God does not have to come and tell me what I must do for Him; He brings me into a relationship with Himself where I hear His call and understand what He wants me to do, and I do it out of sheer love to Him... When people say they have had a call to foreign service, or to any particular sphere of work, they mean that their relationship to God has enabled them to realize what they can do for God.
I spoke to a UFO researcher about an experience that I had. It was very strange and trust me, you don't want to hear about it.
And I told you: I think of a photograph you took of me, up in Montreal. You told me to jump in the air, so in the picture, my feet are off the ground. Later, I asked you why you wanted me to do that, and you told me it was the only way to get me to forget about the expression on my face. You were right. I am completely unposed, completely genuine. In my mind’s eye, I picture myself like that, reacting to you.
You took a quarter century off my age with that kidnapping stunt. No more going off with a strange men, hear me? -"You're a strange man." I'm your strange man.
I don't portray a terrorist. The American fans label me a terrorist. It doesn't matter what I claim to be: in their eyes, I am whatever they say I am despite the fact that I'm not committing any 'acts of terror.' I ask you, how am I portraying a terrorist? Because I look like a Muslim?
People say, "How would you like to be remembered?" I don't want to be remembered. Gimme a break. What I want is to hear what's great about me now. Let me hear it! In the box you don't hear these eulogies.
The more foreign to me, to my existence, to your core existence, the more foreign the foreign language, it's really moving to me to think, to get to experience my own story crossing those boundaries. To have that experience that I so cherished as a reader. I can't believe this. To me, it's really nice because that would be a thing where I'm like, "There may be lots of Jews in my work. I'm not writing stories for Jews. I'm telling stories about people, and Jews are people, too."
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