A Quote by Keith Flint

I'm not sure if I'd call myself an extrovert. I think I'm a bit contradictory. I like being endearing and venomous at the same time. I guess it's one part of myself fighting against the other part, proving that I'm not that nice all the time.
I think when I was younger, I was struggling to kind of differentiating love from a personal love or a tennis love or whatever else. There was time that I wasn't sure how to deal with both things in the same time. But you learn. I guess we grow. I mean, I don't want to say I've learned from my mistakes, but I've learned myself a little bit better.
And I find - I'm 63, and my capacity to be by myself and just spend time by myself hasn't diminished any. That's the necessary part of being a writer, you better like being alone.
I'm still finding my legs, performance-wise, being up there by myself. I think I have a bit of proving myself ahead of me.
The best part of being a writer for me is immersing myself in a fictional world, which is the opposite of being on social media. At the same time, if no one ever read my work, if I was writing solely for myself, I bet it would be lonely and a lot less fun.
In writing 'The Satanic Verses,' I think I was writing for the first time from the whole of myself. The English part, the Indian part. The part of me that loves London, and the part that longs for Bombay. And at my typewriter, alone, I could indulge this.
It's nice to be able to challenge myself by playing real people. But at the same time it utilizes a different part of the brain to just invent new things.
Being a Raiderette is a part-time commitment but we call it a 'part-time full-time commitment.' It ends up almost taking more time than being an attorney.
I'd love to go to a remote part of the world or maroon myself on a tropical island, and shoot the whole thing myself. I've always adventured with other people and I'd like to spend some time completely on my own.
For my part, when I enter most intimately into what I call myself, I always stumble on some particular perception or other, of heat or cold, light or shade, love or hatred, pain or pleasure. I never can catch myself at any time without a perception, and never can observe anything but the perception.
I don't think I anticipated supporting myself as a writer... I expected I would have to be a teacher or a journalist, that I wouldn't just write full time. It's such a part of my life, and in some ways, it's a very unromantic part of my life. It's almost, to me, like breathing. I don't think about whether I like it or not.
I'm an amalgamation of what I've needed to be. Part scholar, part rebel, part nobleman, part Mistborn, and part soldier. Sometimes I don't even know myself. I had a devil of a time getting all those pieces to work together. And, just when I'm starting to get it figured out, the world up and ends on me.
I had a lot of nerves for a long time about career-oriented things, and I've slowly sort of let myself relax into it a bit. Part of me thinks that's maybe the effect of being on two hit shows. I like to think that maybe it's more: You do the things you do, and you do the best you can, and that's all you can hope for, and don't worry too much if it's not it.
I always have sort of been someone who has contradictory parts, and I haven't tried to uncomplicate myself. I've sort of let things seem contradictory, and sometimes it really confuses people. I don't know if it's working all the time, but I'd rather do that than try to sell myself as one thing or another.
I think that I'm shy and I judge myself. But at the same time, I also have big contradictions. I can be sometimes sure of myself as well. I'm not always fragile and vulnerable. I can feel tough and strong.
I feel myself part of something. Not only being part of a community but part of an actual moment and a movement of Irish writing and art. That sense of being part of the whole thing is the deepest joy.
I don't like being consumed by work all the time. I consume myself so much when I do a part that I like to step away from it.
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