A Quote by Keith Flint

I'm not the kind of guy who can be sitting around listening to Joni Mitchell, chilling. I'd rather bash my head against a wall. — © Keith Flint
I'm not the kind of guy who can be sitting around listening to Joni Mitchell, chilling. I'd rather bash my head against a wall.
I grew up listening to Joni Mitchell's version of "A Case of You." My mom was a huge Joni Mitchell fan.
Why would I want to sound like Joni Mitchell? I've got Joni Mitchell records, and they're great, and I couldn't possibly be that good.
I would say I grew up listening a lot to Barbra Streisand and Judy Garland and Joan Baez and Joni Mitchell. I grew up listening to those because my parents were kind of into folk music.
As a kid, I was listening to Aretha Franklin, Etta James and hip-hop as well as music my parents were listening to, like Joni Mitchell and Leonard Cohen.
You know, I grew up listening to Joni Mitchell.
On first listening, Joni Mitchell's 'Court And Spark,' the first truly great pop album of 1974, sounds surprisingly light; by the third or fourth listening, it reveals its underlying tensions.
I never have [suffered writer’s block], although I’ve had books that didn’t work out. I had to stop writing them. I just abandoned them. It was depressing, but it wasn’t the end of the world. When it really isn’t working, and you’ve been bashing yourself against the wall, it’s kind of a relief. I mean, sometimes you bash yourself against the wall and you get through it. But sometimes the wall is just a wall. There’s nothing to be done but go somewhere else.
I've always played acoustically - it's how I learned. I grew up listening to Leonard Cohen, Joni Mitchell, Neil Young, Dylan and what have you.
It's way more fun to tell jokes for an hour than it is to sit in a room and bash your head against the wall trying to think of sketches.
Definitely I grew up listening to Joni Mitchell, and I think she is a wonderful writer, so she is probably part of me.
My mom was obsessed with Joni Mitchell; I grew up listening to so much of her music. But it was never a prerogative to emulate her.
There were bars that began to have acoustic musicians play, it was 1970: Joni Mitchell, Jackson Browne, America, The Eagles, all that kind of stuff was popular. It was very easy for me to just kind of move in and be noticed.
People have these incredible expectations. So instead of being inspired by, say, Joni Mitchell's music, I look at it and say to myself, 'I'm going to quit - why would I think of writing or performing after listening to that?'
One of the greatest experiences I ever had was listening to a conversation with Joni Mitchell and Wayne Shorter. Just to hear them talking, my mouth was open. They understand each other perfectly, and they make these leaps and jumps because they don't have to explain anything.
I didn't grow up listening to him - my parents listened more to Neil Young and Joni Mitchell - but I lived in a flatshare for two years, and my flatmate loved Leonard Cohen. He would always play him when he got home from the studio or something.
I wanted to be Joni Mitchell.
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