A Quote by Keith Fullerton Whitman
People have a hard time going to a club and seeing this business tool on stage that's wholly indicative of everything that rock is not. Rock is not about sitting in an office setting up documents, yet they see someone on stage doing that.
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When I'm singing my songs on stage, I feel like I'm doing a rock show, even though I don't think all my music is particularly straight up rock.
You know, sexism in the punk scene - or just in rock and roll in general - is so easily demonstrated by the amount of women or queer people that you see on stage versus the amount of cis males that you see on stage.
My whole life at a certain point was studio, hotel, stage, hotel, stage, studio, stage, hotel, studio, stage. I was expressing everything from my past, everything that I had experienced prior to that studio stage time, and it was like you have to go back to the well, in order to give someone something to drink. I felt like a cistern, dried up and like there was nothing more. And it was so beautiful.
When I first started seeing (the show) come together, I was blown away. It is unbelievable. And to see Vince singing, and behind him girls hanging by chains, and Harleys on the stage and the pyrotechnics going it's like, this is what I want to see in rock 'n' roll.
No matter what though, there's always rock & roll. There's rock 'n' roll in hip-hop, there's rock & roll in pop music, there's rock 'n' roll in soul, there's rock 'n' roll in country. When you see people dress and their style has an edge to it, that rebellious edge that bubbles up in every genre, that's rock & roll. Everybody still wants to be a rock star.
There's rock n' roll in hip-hop, there's rock n' roll in pop music, there's rock n' roll in soul, there's rock n' roll in country. When you see people dress, and their style has an edge to it, that rebellious edge that bubbles up in every genre, that's rock n' roll. Everybody still wants to be a rock star, you know?
Most of my comedy writing happens through improvisation on stage; doing it in the moment. Going up with an idea and fleshing it out over time on stage and in front of people until it becomes a full bit.
We always thought it strange that nobody was up on that stage playing soul stuff. Maybe people were playing it in their garages, like us, but they always reverted to pure rock when they got on stage.
I don t wanna see old people on a rock & roll stage.
Occasionally it can be a little disappointing to see rock gods in their 60s or 70s up on stage.
When I'm on stage, I turn into this rock person. I give everything I have. I sing with emotion, I'm loving it up there, and I think there's a lot of energy. In the same way that I'm open when I speak, I'm that open on stage. I feed off the energy of the audience too, so they're feeling what I'm feeling. And the set up is great - I have two drummers and a bass guy so it's just us four.
The first time on stage is such a blur to me. I remember how it felt more than anything. I remember everything about the day before I went on stage - what I ate, the first person I met in the club, how I felt beforehand - but the actual being on stage is a total blur.
Hard rock will always be hard rock, but you don't really know what is rock - and what isn't - anymore.
I don't consider a lot of the pop things I hear on the radio to be rock 'n' roll. It's just kind of fragmented.
Hard rock will always be hard rock, but you don't really know what is rock - and what isn't - anymore. I don't consider a lot of the pop things I hear on the radio to be rock n' roll. It's just kind of fragmented.
The first time ever seeing a great talker was The Rock. It took a while for him to develop, but a great talker like The Rock, he was just incredible. Every time he was on the show, you wanted to see exactly what he was going to do which is what I try to do but I don't try to do it like The Rock. I don't want to be like anybody else.I want just want to be the No. 1 Miz.
And from the first moment that I ever walked on stage in front of a darkened auditorium with a couple of hundred people sitting there, I was never afraid, I was never fearful, I didn't suffer from stage fright, because I felt so safe on that stage. I wasn't Patrick Stewart, I wasn't in the environment that frightened me, I was pretending to be someone else, and I liked the other people I pretended to be. So I felt nothing but security for being on stage. And I think that's what drew me to this strange job of playing make-believe.
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