A Quote by Keith Jackson

The older I got, the more willing I was to go into the Southern vernacular, because some of it's funny. — © Keith Jackson
The older I got, the more willing I was to go into the Southern vernacular, because some of it's funny.
I probably had something to do with being southern. For some reason, over the last few years I've been much more conscious of that. It's probably because my friend Jack Womack has a thesis that he and I write the way we do because we're southern and we experienced the very tail end of the premeditated south.
At some point, I thought that, as I got older, I'd come to terms with a lot of things. I'd solve some big problems, and eventually I'd become content. It's almost more depressing to think that the older you get, the more your problems multiply.
Some lucky people can be funny without half trying because they actually look funny, because acting funny is in their bones - fun as funny, not funny as crude slapstick.
I don't know if you've ever been skiing, but if you go to the slope you'll see all these kids fearlessly zooming by. It's only when we get older that fear creeps in. But for me, it just never has. And when it comes to racing, it's always about who is willing to go further, who is willing to take that extra step. I'm willing to take any amount of pain to win. I'm hungry like you.
The older I get, the more and more I notice I'm like my father. It's funny, because when I was younger I tried to just back away from my father as much as I could, and some of the philosophies, some of the life lessons, some of the beliefs that he had within me are always constantly ongoing, and they're always prevalent in my life, whether it's trying to be every single thing that I can be in my sport or life or relationship or business, whatever avenue I'm pursuing.
I'm ready to do some classics. Maybe I wasn't in the beginning. I weighed 179 pounds when I got to New York, and I had that thick Southern accent. I still talk Southern, but I can do without it.
If you go to Paris, try to speak French. If you go to the South, try to speak Southern. Southern isn't stupid. Southern is narrative; Southern is family.
There are some women and a lot of dudes who are into my look, but I need to convey that I'm funny ahead of time. That's how I got laid. Every girl I've ever been with is because I was funny, not because they were into a 300-pound bearded, pale dudes.
People come to Nashville where I live and they say, 'What's a great Southern restaurant?' Well, you got to know the right grandmother, because there's a lot of magic to good Southern cooking.
I think that's a weak excuse, to say because a rapper's getting older that he ain't got it no more. Nah. Don't go by that philosophy. Let's just recognize that talent is within.
When I first came out, I kinda overdid it. I dressed extremely older-boyish, like sagging, and big shirt and big jeans. I was just like, 'I'm gonna go extreme.' And then as I got older, the baggy clothes got a little more fitting to my body, but still masculine.
Films are big hits when they touch a lot of people. Things are not funny in a vacuum, they're funny because we respond to some personal dislocation, some embarrassment, some humiliation, some pain we've suffered, or some desire we have.
The cuter girls kinda went off from the older women because we're younger, and we're cuter, we've got better bodies, and for some reason that's like a huge issue with older people.
I might get some more animals or something, but I'm done with the kids. I got a boy, I got a girl, and I got an older boy. I'm straight.
I can't tell you that I like getting older, but I think I can cope with it because everybody gets older. Sometimes it's a little upsetting because time goes by and you want to do more and you have to accept life for what it is and find some new motivation that gives you drive and enthusiasm.
Second, we also got a more authentic liturgy of the people of God, in the vernacular language.
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