A Quote by Keith Jarrett
If you already have a piece of music ingrained in your body, why would you not play it?
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When I was dancing, whether it was the music or the story, the question was 'Why am I doing this piece, and why am I dancing?' It is exactly the same when you are acting. You have a very close relationship with your body movement. You have to find the physicality of your character.
Why don't you make your whole body into a string and play the music of the vibratory electromagnetic self, which is your creativity, and project to the heart of another person?
That's why I'm so passionate about making music for movies because you dive in and find the best ideas to bring tolife a collective piece of art. ... [Composing] is not a job for me. And that explains why I never stop. Even though it's tough on your body and your brain and the sacrifices you have to make, what can I do? I'm passionate about it so I never stop.
There's a great relationship between pop music and the way the body could be seen from the inside - when I was singing or listening to music I would change shape in my head, becoming all kinds of things and people. Music is a way of making your body.
Imagine the peace symbol. The peace symbol has three pieces in it. One piece is emotion, that's your body. Another piece has spirit in it, that's your fuel. Another piece has intellect in it and that's your steering wheel. You can never overdo the fuel that goes into the body, which is the emotions and the steering wheel to drive it.
Even you, who’ve lived inside your body for 64 years, would apparently be unable to recognize your foot in an isolated photograph of that foot, not to think of your ear or one of your eyes or elbow, also familiar to you in the context of the whole, but utterly anonymous when taken piece by piece. We are all aliens to ourselves, and if we have any sense of who we are, it is only because we live inside the eyes of others.
The stress that we [with Abilities] always feel is trying to continue advancing with our music. That's our plight, it's ingrained in our personalities. We feel like we're trying to race the world of music itself - just trying to create the best music, and as soon as we get done with one piece we're trying to figure out how to top it.
I just remember music always being a part of my life. I was never like, "I'm gonna be a rock star," or "I'm gonna be in a band." It was more "I just play piano, and I'm always going to play piano. That's who I am and that's cool." I think music became so ingrained in me that it was not even my choice.
I would say there is a conversation happening between your body and mind all the time. Even when you're sleeping, your body is communicating the information to your mind. And so to me it feels like, why not harness that? If it's happening all the time, why not control the content of the conversation?
I play piano, so when I'm learning a new or difficult piece, at some point I have to enjoy the music of the piece itself, and have confidence that my fingers know where to go. It's the same with acting, there is a point where I have to enjoy the play.
It is a real piece of art if you can make a waltz sound like it is the easiest piece of music to play, because it's really not.
We feel this passion that we have for music and this relentless need to pursue it and follow it and go wherever it takes. It's just something that's ingrained into us - it's ingrained in us so deeply that we say it's 'in our bones.'
If the radio ever played my music, I would sue them. And they know it, which is why they don't play my music.
If you arrive at a concert ready to play your piece, that's not nearly good enough. You must have your music ready to the point where you can play it on a short rehearsal, after a long plane flight, on a strange piano, having had an unpleasant lunch, in an unfriendly atmosphere. You have to be so over-prepared that you can cope with anything.
There's very little to be said for learning a piece note by note, reading the rhythmic markings, practising the fingerings and following your instructor's suggestions, if you haven't any idea how the music will eventually sound and feel. If you learn a piece mechanically, you may have to 'unlearn' it before you can play it with expression and feeling.
A play is a parenthesis that contains all the material you think has to be contained for the action of the play. Where do you end that? Where the characters seem to come to a pause... where they seem to want to stop - rather like, I would think, the construction of a piece of music.
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