In a scene [where the improvisers must interact] without the letter S, the audience is waiting for you to lose - so they can laugh at you. Don't try to win.
I was afraid no one would laugh, and I wanted to pretend I wasn't noticing the audience. I didn't want the audience to get the idea I was telling a joke and waiting for a laugh.
I can skate beautifully. While performing on ice I always try to please the audience and to win as well. Being artistic is very important to get the audience on your side. As for a competition, you can't win without strong technical content.
I try to make the majority of my audience laugh. That's my audience. They'll laugh at the dead terrorist.
I always say it must not be an obsession to win the Champions League. It's a very important title and beautiful to do it. But you must not try to win the Champions League and lose focus on the Premier League.
I started to do a study on how not to do stand-up comedy. Yeah, it's lonely work. You die, you die alone. It's you, the light, and the audience. If you win, you win big. If you lose, you lose big time.
I think I'm not uber into the comedy scene, but I love to laugh, especially in our business, where you're always front and center over an extremely, sometimes overly-critical live audience. I think it helps to laugh.
I think sometimes, when you're on top and all you do is win, win, win, win, win, you get lazy and lose focus. When you lose it opens your eyes and you get serious. There is always a time when it is good to lose, at the right time for you.
If you try to win, you might lose, but if you don't try to win, you lose for sure!
The older you get, the more you start to realize that you can't win an argument in a relationship. You can't win a fight with your woman. Because if you lose, you lose. And if you win, you lose.
You can’t win unless you try to win, but you can lose by trying not to lose.
When Congress votes for all sorts of benefits, without voting for enough taxes to pay for them, they get the support of those who have been promised the benefits, without getting grief from the taxpayers. It's strictly win-win as far as the welfare-state politicians are concerned. But it is strictly lose-lose, big-time, for the country, as deficits skyrocket.
I'd rather lose the small part of the audience that is going to be insulted because a documentary shouldn't have music than the big part of the audience that kind of gives itself over to the scene.
I think everyone's different but in comedy, I try to do my scene to make the director and the other actors laugh. If I can make them laugh and we have the same sensibility, then I'm on the right page.
Instead of improvisers who want to be funny by themselves, we aim to try and make the scene itself as funny as possible. As a creator, I think that's someone you'd rather work with, whether it's a movie or a sitcom; that kind of methodology is good for collaboration. People want to be with those kinds of performers.
The audience works as such a mob. They either all laugh or all don't laugh, and, you know, changes from audience to audience.
Sometimes in football you deserve to win but lose. Other times you deserve to lose or draw but you win. That is the game, and it's why I've always said you should never try to predict anything in football, especially in Europe.