A Quote by Keith Johnstone

Every time you go the way the audience expects, they'll think you're original. People laugh with pleasure at the obvious. — © Keith Johnstone
Every time you go the way the audience expects, they'll think you're original. People laugh with pleasure at the obvious.
My audience expects me to push the limits, to be politically incorrect. I do that because for me, that's the only place where the fun is, when I get to push the boundaries and make people laugh at things that they probably didn't want to laugh at.
If your husband expects you to laugh, do so; if he expects you to cry, don't; if you don't know what he expects, what are you doing married?
The best way to make friends with an audience is to make them laugh. You don't get people to laugh unless they surrender - surrender their defenses, their hostilities. And once you make an audience laugh, they're with you. And they listen to you if you've got something to say. I have a theory that if you can make them laugh, they're your friends.
In comedy you feel you need to go back to the theatre every now and again, you feel you need to go back to an audience every now and again to see if you're still getting your craft right, making people laugh at the moments you think they should and that sort of thing.
Every one expects to go further than his father went; every one expects to be better than he was born and every generation has one big impulse in its heart - to exceed all the other generations of the past in all the things that make life worth living.
Kavya's character is real, she is a strong and independent woman. In situations, every time you see Kavya reacting in a way that is completely different from what the audience expects. That's because she is a very positive soul.
I don't think about the audience, I don't think about what makes them happy, because there's no way for me to know. To try to think of what makes for entertainment is a very Japanese thing. The people who think like this are old-fashioned. They think of the audience as a mass, but in fact every person in the audience is different. So entertainment for everyone doesn't exist
As a writer, every time I create a character, I try to go for something to captivate the audience in some way. It's also an extension of how the audience would like to see themselves.
I think it's an actor's responsibility to change every time. Not only for himself and the people he's working with, but for the audience. If you just go out and deliver the same dish every time... it's meat loaf again... you'd get bored. I'd get bored.
In situations, every time you see Kavya reacting in a way that is completely different from what the audience expects. That's because she is a very positive soul. She's the one who encourages Anupamaa to do the right thing and she can't even stand Vanraj insulting Anupamaa.
I think every time I play, every show is different, and I think that at a certain point a song isn't about you anymore. It's about the audience, it's about how the song has worked its way into other people's lives and that kind of keeps the meaning of the song new, because you see it reflected in other people every night.
My audience expects cold, hard truth. They don't expect me to dance around it. They expect me to say it the way they think it. That's part of my brand. If I don't do that, then my audience goes, 'What's up? Is he sick or something? What's wrong with him?' The entity has a brand.
I'd like to think I'm a little more memorable or specific now. People laugh at me in a way they wouldn't laugh at another comedian, rather than being like, "Okay, who's the next joke-slinger? Give me some jokes so I may laugh and go about my day!"
The way I make art - the way a lot of people make art - is as an extension of language and communication, where references are incredibly important. It's about making a work that is inspired by something preexisting but changes it to have a new value and meaning that doesn't in any way take away from the original - and, in fact, might provide the original with a second life or a new audience.
The audience works as such a mob. They either all laugh or all don't laugh, and, you know, changes from audience to audience.
Every time I touch the ball, I think I'm going to go all the way. I think I'm going to score a touchdown. I'm the runner I am because I think that I'm going to go all the way every single time I touch the ball.
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