A Quote by Keith Johnstone
The improvisation had to be in public, because you only get value playing to strangers.
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Anger is one of the most intimate of emotions and to expose it to strangers is one of the most stupid and sickening things to do. Never get angry with strangers because they are strangers.
I hated improvisation because in my early days as an actor, improvisation meant somebody had just come down from Oxford and they were doing a play above a pub in Kentish Town, and the biggest ego would win.
Volatility is a symptom that people have no idea of the underlying value-that they have stopped playing the asset game. They're not buying because it's a company with certain attributes. They're buying because the price is rising. People are playing games not related to any concept at all of what the long-term value of the enterprise is. And they know it.
The vested interests-if we explain the situation by their influence-can only get the public to act as they wish by manipulating public opinion, by playing either upon the public's indifference, confusions, prejudices, pugnacities or fears. And the only way in which the power of the interests can be undermined and their maneuvers defeated is by bringing home to the public the danger of its indifference, the absurdity of its prejudices, or the hollowness of its fears; by showing that it is indifferent to danger where real danger exists; frightened by dangers which are nonexistent.
Everyone asks me if piano had helped me in football. I guess improvisation and creativity helps on the field, but that's a reach. The two skills are just so different. And, by the way, I get more nervous playing piano.
Most of my music is improvisation, and composition is improvisation. Even if I have a score, it is improvisation.
It wasn't only fanatics and drunkards who began conversations with strangers in public.
I would make a huge distinction between theater improvisation and film improvisation. There isn't much improvisation in film - there's virtually none. The people that theoretically could be good at this in a theater situation don't necessarily do this in a film in a way that will work, because it's much broader on a stage. But in a movie, it has to be real, and the characters have to look entirely real because it's being done as a faux documentary, so there are even fewer actors that can do that on film.
I suppose there are actors who are worried about their public image. But I've never had any trouble playing unpleasant characters. It is only a part. Which is why you do it -because you are interested in exploring something you never could or would be.
People get confused because we all make a lot of money and it seems crazy to the general public, but this is something that we all love to do. We play this game because we love it and if we didn't get paid for it, most of us probably would still be playing.
Science had given mankind many gifts, and she valued it. But the one important thing it had taken away was the value of subjective, personal experience. That had been replaced with the idea that only measurable and testable concepts had value. But humans didn't work that way.
When I think back now to the recording sessions, there is more improvisation than one hears. It's an ideal combination of arrangements and improvisation. Only a few people are able to listen and say what is composed and what is improvised. It's a unit.
I did go to public school, but that's only because my parents were abroad. As a matter of fact, I think that's helped my work. I can go from Victoria Wood's 'Dinnerladies' to playing Barbara Cartland, from 'Coronation Street' to playing Celia in Last 'Tango'.
Baseball is the most perfect of games, solid, true, pure and precious as diamonds. If only life were so simple. Within the baselines anything can happen. Tides can reverse; oceans can open. That's why they say, we don't stop playing because we get old. We get old because we stop playing.
We would do improvisation together. And that in a way, had almost a "student-film side" where we'd be sitting there with Robert Downey and Jon Favreau and we're playing around, we're jamming around and we read those pages and in next couple of days that's what we do, so it was a good experience. Kind of frightening at first because you didn't quite know how it was going to work out, but they had some very talented people there so it worked out well.
To love is to value. Only a rationally selfish man, a man of self esteem, is capable of love - because he is the only man capable of holding firm, consistent, uncompromising, unbetrayed value. The man who does not value himself, cannot value anything or anyone
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