A Quote by Keith Maitland

Yes, I realize when I'm reaching out to people and asking them to talk about the most traumatic thing to happen in their lives, I have to be really sensitive and thoughtful. — © Keith Maitland
Yes, I realize when I'm reaching out to people and asking them to talk about the most traumatic thing to happen in their lives, I have to be really sensitive and thoughtful.
If there are people who treat me wrong, I either talk to them about it, or I don't talk to them anymore. It's been the most thoughtful and considerate thing I could do for myself and other people. I am going to try to do that forever.
I respect people who come forward and speak, but I'm not asking most of the sex workers I interview now about their work. I'm asking them about their lives in general or their political organizing. I take pains source things pointing back to intellectual work that sex workers have produced, because that's really absent.
We talk about Hollywood being pro-labor, yet about 70% of our industry has been farmed out to Canada, meaning we are losing jobs like crazy. Where's organized labor asking how we can allow such a thing to happen?
I think, a lot of times, the mistake in music - even rappers that are trying to be big time - if you're broke, rap about being broke. If you're sensitive, rap about being sensitive, 'cause there are other sensitive people. If you're sensitive, but you talk about being a tough person that doesn't care about anything, people will call your bluff.
I talk a lot about strength, faith and love, but I don't ever talk about the fact that I am one of the most sensitive people in my family. That might be the most shocking, because you always see me fighting the good fight, with the strong face on, but I am the most emotional.
The thing about innovation is, where do you stop? There are movements across the world where people are asking restaurateurs to bring back the regular plate. So, yes, we are fed up of drinking out of shoes and eating out of hats.
Historically it has been a touchy subject, especially in the south where I am from, people don't really talk about it. If they do talk about it, it is often talked about negatively. Nowadays in light of the Black Lives Matter movement I think people should pay attention to these lives also. I think the Black community will really embrace the film [Moonlight]. It is about us. It is real.
I'm not opposed to reaching out Hispanics. I'm all for reaching out to everybody! As Americans. Not as members of groups, and not treating people as though they're legitimate members of some grievance group, but reaching out to them as human beings.
The thing is, when you put a button in someone's hand and give them the power of yes or no, no is a shorter word. People just say no. The power lies in who can say no the most. But, real power, though, lies in the opportunity to say yes. I think people ultimately realize that, but not when they're in the spotlight.
A lot of my books deal with very controversial issues that most people often don't want to talk about, issues that, in my country, are more likely to get put under the carpet than get discussed. And when you talk about moral conundrums, about shades of gray, what you're doing is asking the people who want the world to be black and white to realize instead that maybe it's all right if it isn't. I know you'll learn something picking up my books, but my goal as a writer is not to teach you but to make you ask more questions.
I think it's a shame when people don't see the funny, thoughtful Mark that I know. He is incredibly sensitive and really cares about what other people need and want and really wants to be able to make someone else's day. And that's the Mark that I see.
The difference between me and other athletes is that I'm speaking on things that I go through that I know other people go through. I think a lot of times the mistake in music if you're broke, rap about being broke, if you're sensitive, rap about being sensitive, 'cause there are other sensitive people. If you're sensitive but you talk about being a tough person that doesn't care about anything, people will call your bluff.
People are always invoking evolutionary psychology for everything. "Why do men hang around asking women out? Oh, to improve their reproductive success," every damn thing - religion, art - it can all be explained by evolutionary psychology. But in our hearts we know that evolutionary psychology is only sort of accurate, because it really doesn't capture what's most interesting about our lives.
The basic thing is to be humble, and pretend you're a bartender in the tavern of life. Don't get too comfortable and don't really listen to anybody else. Don't stand around with a bunch of writers and talk about writing. You know when you see plumbers at a plumbers convention, usually they're not talking about plumbing: they're talking about whatever it is that two men happen to talk about. They're talking about sports, their wives and children. I just tell my students, don't talk about writing too much, just go out and do it. Find out whatever you need to get to the mainland.
It takes a lot of guts to come out to your friends and family. For most gay people, coming out is the most traumatic experience in their life because of the worry about the backlash: 'What's going to happen? Are my parents going to accept me? Are my friends going to accept me? Are my sisters and brothers going to accept me?'
I think the role of the artist today is about being provocative. I don't mean shocking, but you have to provoke people into action. As an artist, you ask people for their time. It's the most precious thing anyone has. I'm asking audiences to come to my work and spend some time with it. What I'm really doing, of course, is asking people to take time for themselves.
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